A lonely plumber poses as a movie director to meet women, and the writer whose script he’s stolen builds on his ruse to get her movie made.
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Joe Toy, on the verge of adolescence, finds himself increasingly frustrated by his single father, Frank’s attempts to manage his life. Declaring his freedom once and for all, he escapes to a clearing in the woods with his best friend, Patrick, and a strange kid named Biaggio. He announces that they are going to build a house there, free from responsibility and parents. Once their makeshift abode is finished, the three young men find themselves masters of their own destiny, alone in the woods.
Hammer Film’s follow-up to the successful One Million Years B.C. is set in an ancient past when humans and dinosaurs co-exist. Athletic cavewomen and hairy men wander around, grunting, sweating and occasionally sacrificing evil blonde babes to the sun in return for protection from stop-motion beasts. The fun-loving, energetic Sanna (Victoria Vetri), one of the sacrificial offerings, manages to escape during a ritual and joins another tribe where she says ‘necro’ a lot and falls in love with a surprisingly hairless guy.
Aging local standup comic Sweeney, “The Character King”, gets an opportunity to do a national cable show out of Los Angeles. The only caveat is that Sweeney must drop the locally referenced material from his act, the biggest pieces being the portrayal of his colorful Boston “characters,” that have become a staple of his home field success. Sweeney makes the hard decision to stop doing the characters. But, to his dismay, the characters “come-to-life” and seek their revenge; they try to kill Sweeney.
Phil Wang explores race, romance, politics and his mixed British-Malaysian heritage in this special filmed at the London Palladium.
In a world where people collect pocket-size monsters (Pokémon) to do battle, a boy comes across an intelligent monster who seeks to be a detective.
Emma Reynolds returns to Oliver’s Well to celebrate Christmas for the last time with her siblings in the home they grew up in. After their parents recently passed, the siblings reluctantly agree to sell the family home on Honeysuckle Lane after the New Year, leaving Emma in charge of its belongings. While antiques expert Morgan Shelby appraises Emma’s mother’s collection, they find a hidden surprise in an antique desk that takes them on a journey to discover the power of love and family during the holidays.
When Michael Briskett meets the perfect woman, his ideal Christmas dream comes true when she invites him to her family’s holiday celebration. Dreams shattered, Michael struggles to survive once he realizes HE will be Christmas dinner.
Hyperactive teenager Kelly is enrolled into a military school when her new stepfather becomes the Commandant. At first she has problems fitting in and taking orders until she tries out for the drill team.
In 1944, Cederqvist comes to a small cloth factory to see how the all-women employees can work more efficiently. At the beginning he is greeted with suspicion and his efforts at courting the young ladies are futile. But as soon as he buys himself a car it becomes much easier, especially since he has the power to relocate people to an easier line of work. Plot by Mattias Thuresson.
A road trip to Kolkata brings Piku, an architect, closer to her ageing but nagging father Bhaskor Banerjee despite their disparate ideologies and fights over trivial issues.
A secret new romance with Alma forces Zaynab to confront her complicated relationship with her recently widowed mother. In this coming-of-age Muslim melodrama, Zaynab copes by taking up Lucha-style wrestling.
The Magnificent Seven Deadly Sins is a 1971 British comedy film directed and produced by Graham Stark. Its title is a conflation of The Magnificent Seven and the seven deadly sins. It comprises a sequence of seven sketches, each representing a sin and written by an array of British comedy-writing talent. The sketches are linked by animation sequences. The music score is by British jazz musician Roy Budd, cinematography by Harvey Harrison and editing by Rod Nelson-Keys and Roy Piper. It was produced by Tigon Pictures and distributed in the U.K. by Tigon Film Distributors Ltd..
