This sequel to Flowers in the Attic picks up 10 years after Cathy, Chris and Carrie managed to escape Foxworth Hall.
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In a rural French village, an old man and his only remaining relative cast their covetous eyes on an adjoining vacant property. They need its spring water for growing their flowers, and are dismayed to hear that the man who has inherited it is moving in. They block up the spring and watch as their new neighbour tries to keep his crops watered from wells far afield through the hot summer. Though they see his desperate efforts are breaking his health and his wife and daughter’s hearts, they think only of getting the water.
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
The continuing adventures of the barbers at Calvin’s Barbershop. Gina, a stylist at the beauty shop next door, is now trying to cut in on his buisness. Calvin is again struggling to keep his father’s shop and traditions alive–this time against urban developers looking to replace mom & pop establishments with name-brand chains. The world changes, but some things never go out of style–from current events and politics to relationships and love, you can still say anything you want at the barbershop.
Sascha lives in a village on the Kola Peninsular in northern Russia and dedicatedly manages what is left of an old collective farm. He gets on well with his farm workers who respect him and also tolerate his more or less clandestine love-affair with Anya, a secretary at the local government office. But then Sascha is suddenly faced with a dilemma: the district’s self-seeking administrators, none of whom could be termed squeamish, offer him a lucrative deal for the farm. In legal terms, Sascha doesn’t have much of a leg to stand on since his lease on the farm was only agreed with a handshake. The pressure mounts, and even more so when his employees convince him to stand firm. Against the backdrop of a landscape exposed to the elements, this unflinching man’s destiny takes its course.
When his mother dies the week before Easter, widowed hotshot LA exec Nate Lassiter (David Lee Smith) and his head- strong Latina daughter Chloe (MIshka Calderon) must finally return to his hometown in Ohio, where he faces the daunting task of signing away his family’s factory. Nate will collide with his spitfire cousin-with-a-grudge (Jenni-Kate Deshon) he forced to run the factory when he left years before, a labor-strike lead by a high school wrestling buddy (Austin St. John), and a legal battle over the factory sale – brought on by the girl he left behind, Grace (Ashley Bratcher). Forced to search his soul and embrace his past, in rediscovering with his home town Nate just might reconnect – with his Grace.
Two strangers who both happen to be in marketing, share a room at a bed-and-breakfast when a snowstorm strands their flight in Montana on Christmas Eve.
A blind, uneducated white girl is befriended by a black man, who becomes determined to help her escape her impoverished and abusive home life.
When his family moves from their home in Berlin to a strange new house in Poland, young Bruno befriends Shmuel, a boy who lives on the other side of the fence where everyone seems to be wearing striped pajamas. Unaware of Shmuel’s fate as a Jewish prisoner or the role his own Nazi father plays in his imprisonment, Bruno embarks on a dangerous journey inside the camp’s walls.
For Miranda Wells, moving to New York to live in Dragonwyck Manor with her rich cousin, Nicholas, seems like a dream. However, the situation gradually becomes nightmarish. She observes Nicholas’ troubled relationship with his tenant farmers, as well as with his daughter, to whom Miranda serves as governess. Her relationship with Nicholas intensifies after his wife dies, but his mental imbalance threatens any hope of happiness.