A Baltimore sandwich shop employee becomes an overnight sensation when photographs he’s taken of his weird family become the latest rage in the art world. The young man is called “Pecker” because he pecks at his food like a bird.
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Lifelong best friends, Maddy and V, set out for a relaxing vacation. When their old college clique hijack their plans, V finds herself at a remote ski lodge where a group of mysterious wealthy men throw a celebration century in the making.
The activities of rampaging, indiscriminate serial killer Ben are recorded by a willingly complicit documentary team, who eventually become his accomplices and active participants. Ben provides casual commentary on the nature of his work and arbitrary musings on topics of interest to him, such as music or the conditions of low-income housing, and even goes so far as to introduce the documentary crew to his family. But their reckless indulgences soon get the better of them.
A small town video game store clerk must go from zero to hero after accidentally unleashing the forces of evil from a cursed Colecovision game.
A mischievous 14-year-old boy and his irresponsible uncle almost ruin Christmas when they decide to take Santa’s new high-tech sleigh for a joyride.
While walking his dog, Eric bumps into the confident and carefree Ryan. Taking a nervous leap, Eric accepts Ryan’s invitation to walk through the city en route to a concert. In the next six blocks, the two men discover that intimacy through anonymity also exposes one another’s flaws and insecurities. Will they make it to the concert in one piece?
In 1879, the British suffer a great loss at the Battle of Isandlwana due to incompetent leadership. Cy Endfield co-wrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives, with the British contingent outnumbered 16-to-1 by the Zulu tribesmen. The film’s opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O’Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached manner leads to one mistake after another.
When Sam decides to drop the charges against her rapist, her friends and siblings gather to stage a Thanksgiving intervention.
Bean works as a caretaker at Britain’s formidable Royal National Gallery, and his bosses want to fire him because he sleeps at work all the time, but can’t because the chairman of the gallery’s board defends him. They send him to USA, to the small Los Angeles art gallery instead, where he’ll have to officiate at the opening of the greatest US picture ever (called “Whistler’s Mother”).
Two American tourists in England are attacked by a werewolf that none of the locals will admit exists.
