After the sudden death of her distant father, a young woman copes by distracting herself with alcohol, drugs and the antics of her misguided friends.
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A house sitter bites off more than he can chew when a dead body mysteriously shows up at the estate he’s watching.
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A secluded fast food joint next to an empty parking lot, where it’s good to go, because nobody recognizes you there. On a rainy autumnal day, people show up one after the other – all of them on the verge of a breakdown – or perhaps a breakthrough? The main character, Waitress, sees and absorbs it all. One by one – through their personal drama – the clients push the Waitress towards her own edge.
In a Spain consumed by ambition and power, the future of an empire depends of the mind state of a single woman.
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College student Tracy (Laura Lee Black) has just received an assignment to write a report on her favorite film genre. In her research she discovers a book, now Tracy is taken into three interlocking tales of the unexpected. First in THE VAT, two women (Jenny Coulter / Rodney Horn) are harassed by a religious fanatic (Angie Keeling) about their worldly ways. When the bible thumping hypocrite threatens violence, chaos takes it’s toll. Next in BIG DEBBIE, a robust woman (Rodney Horn) is abandoned at the altar, she runs into two guys that use her to fulfill their odd sexual fetish. When one accidentally dies, they’re forced to get rid of the body… the only problem: a woman on the edge (Rachel Stout) witnesses the ditching and blackmails them into killing her cheating girlfriend (Kelli Ellis). Finally in INGLOURIOUS BITCHES, a quirky pair of female vigilantes (Douglas Conner / Brian Dorton) use an app on a cellphone to track down and murder sex offenders.
A mother and her daughter, Conner, embark on a journey to Conner’s new school – both unaware of how many “bumps” they may find along the way.