Paisan

It is the summer of 1980 in East Germany and, alone, Barbara is confined to living and working as a doctor in a small provincial town – her punishment for attempting to emigrate to the West. She has only one focus; to escape and for this, she has to wait patiently. Until Andre, her supervisor in the hospital, takes her off course. Are his motives of love or duty to the authorities? The day-to-day pretense, and content supervision slowly take their toll as the tension builds.

It is the late 1950s. Flourishing under the economic miracle, Germany grows increasingly apathetic about confronting the horrors of its recent past. Nevertheless, Fritz Bauer doggedly devotes his energies to bringing the Third Reich to justice. One day Bauer receives a letter from Argentina, written by a man who is certain that his daughter is dating the son of Adolph Eichmann. Excited by the promising lead, and mistrustful of a corrupt judiciary system where Nazis still lurk, Bauer journeys to Jerusalem to seek alliance with Mossad, the Israeli secret service. To do so is treason — yet committing treason is the only way Bauer can serve his country.

An American woman, trapped in Islamic Iran by her brutish husband, must find a way to escape with her daughter as well.

Tommy faces responsibility when Dil, his new baby brother, is born. As with all newborns, the child becomes a bane to Tommy and the rest of his gang. They decide to return Dil to where he came from, the hospital, but they get lost along the way. Can they find their way home and can Tommy and Dil learn to get along?

An exiled archduke (John Barrymore) tries to renew romance with a former lover (Diana Wynyard) now wed to a psychiatrist (Frank Morgan).

A massive segment of the Sun has broken off and is heading for Earth, whose surface is slowly heating up to an unbearable level. A strange mood pervades a debilitated world: anything could happen, virtually anywhere, without warning. Even in a sleepy town, where an 18-year-old lad gets stranded on his way to the family cottage. The fact is that no-one knows at what temperature the human character starts to melt…

Unknown actor Doug Bridgers will stop at nothing to establish himself as a leading man in the always evolving Hollywood Film Industry.

In the mid to late 90’s, the Reykjavik crime and drug scene saw a drastic change from a relatively small and innocent world into a much more aggressive and violent one.. The film tells the story of this change through the fictional gang of pushers that took control of Iceland’s underworld.

A controversial portrayal of teens in New York City which exposes a deeply disturbing world of sex and substance abuse. The film focuses on a sexually reckless, freckle-faced boy named Telly, whose goal is to have sex with as many different girls as he can. When Jenny, a girl who has had sex only once, tests positive for HIV, she knows she contracted the disease from Telly. When Jenny discovers that Telly’s idea of “safe sex” is to only have sex with virgins, and is continuing to pass the disease onto other unsuspecting girls, Jenny makes it her business to try to stop him.

Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top killer whale trainer. Blackfish shows the sometimes devastating consequences of keeping such intelligent and sentient creatures in captivity.

A journalist descends into the dark underbelly of the Iranian holy city of Mashhad as she investigates the serial killings of sex workers by the so called “Spider Killer”, who believes he is cleansing the streets of sinners.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein’s final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer’s dissatisfaction with Eisenstein’s attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein’s death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.