We follow Otto Baxter, a 35-year-old man with Down Syndrome, over six years, as he writes and directs a foul-mouthed, autobiographical comedy-horror-musical set in Victorian London. Otto, who has always struggled to explain how he feels, uses his film The Puppet Asylum to explore his birth, adoption and his epic battle with ‘The Master’ – an evil magician hell-bent on controlling his life. During the filmmaking process Otto’s birth mother dies and he finds himself confronting life in the real world, including his future. Otto’s filmmaker friends Bruce Fletcher and Peter Beard help him to bring his vision to life, but also learn more about his unique perspective on the world and how they can play a role in his future.
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On the eve of the 60th anniversary of the 1957 Little Rock school desegregation crisis, educational inequality remains among the most urgent civil rights issues of our time. With its school district hanging in the balance following a state takeover in January 2015, Little Rock today presents a microcosm of the inequities and challenges manifesting in classrooms all across America. Through case studies in Little Rock, New York City, and Los Angeles, Teach Us All seeks to bring the critical lessons of history to bear on the current state of U.S. education and investigate: 60 years later, how far have we come-or not come-and how do we catalyze action from here?
When Kenny Scharf arrived in NYC in the early 1980’s, he quickly met and befriended Keith Haring and Jean Michel Basquiat; There, amongst the fervent creative bustle of a depressed downtown scene the trio would soon change the way we think about art, the world, and ourselves. But unlike Haring and Basquiat, who both died tragically young, Kenny lived through cataclysmic shifts in the East Village as well as the ravages of AIDS and economic depression. ‘When Worlds Collide’ is about the art of fun, about living life out loud, despite setbacks, and about Kenny Scharf’s particular do-it- yourself, high-tone, technicolor artistic vision.
Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the “Institute of Snap!thology,” where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.
This documentary offers an honest look at our fraught, complex relationship to video games from the perspectives of gamers and their concerned parents.
Zarna Garg’s taking the comedy world by storm with her first streaming stand-up special. As an unapologetic, Indian-Immigrant mom, she has plenty to joke about, and the punch lines come fast and furious.
A poetic meditation on nature, mortality, and the passage of time in her exploration of our symbiotic nexus with trees. Weaving together several stories of arboreal adoration, unfolds as a deeply human tale of our connection to the natural world and to one another.
Posing as a wealthy, jet-setting diamond mogul, an Israeli conman wooed women online then conned them out of millions of dollars. Now some victims plan for payback.
Historical evocation of Ludwig, king of Bavaria, from his crowning in 1864 until his death in 1886, as a romantic hero. Fan of Richard Wagner, betrayed by him, in love with his cousin Elisabeth of Austria, abandoned by her, tormented by his homosexuality, he will little by little slip towards madness.
Marking Out is a comedic documentary that follows a group of grown men as they try to figure out why they can’t seem to let go of professional wrestling. Travel with them as they meet with wrestlers (including EC3, Eric Young, and the stars of Chikara and Olde Wrestling) and wrestling fans in an attempt to either rekindle their love of the business or put it behind them forever.
Two formidable Native American women, both chief judges in their tribe’s courts, strive to reduce incarceration rates and heal their people by restoring rather than punishing offenders, modeling restorative justice in action.
The film is submerging in the world of YouTube and internet amateur-made-films posting through the eyes of Bahoi, one of Romania’s most viewed filmmakers. The first part of the movie deeply analysis his films by going to his hometown village in Romania, Peninsula, and meeting Bahoi’s most famous characters. Also through Bahoi’s own words we are trying to find out why is he filming so much brilliant material, why is he posting it on the internet and how he took this passion with him to the West. In the second part we are traveling along with Bahoi throughout Europe to discover more talented people and make some sense of this huge boom in filmmaking.
