In 1967, four undercover CIA agents were sent to NASA posing as a documentary film crew. What they discovered led to one of the biggest conspiracies in American history.
You May Also Like
Shadow, a once-promising boxer, finds it hard to readjust to civilian life after spending ten years in prison. Offered the chance to fight again
Borgman is the central character of this dark, malevolent fable. Is he a dream or a demon, a twisted allegory or an all-too-real embodiment of our fears? Borgman is a sinister arrival in the sealed-off streets of modern suburbia. His presence unleashes a crowing gallery of distortion around the careful façade constructed by an arrogant, comfortable couple, their three children and nanny.
A young doctor in a US hospital administers a powerful and untested cocktail of drugs to a coma victim. But instead of curing him, it triggers a powerful “out-of-body” experience and enables the patient – a depraved and dangerous loner – to inhabit other people’s bodies and, through them, take revenge on the bullying medical students who were accidentally responsible for his condition.
A divorced mother looks to protect her daughter after an unexpected tragedy.
Bianca, a tenth grader, has never gone on a date, but she isn’t allowed to go out with boys until her older sister Kat gets a boyfriend. The problem is, Kat rubs nearly everyone the wrong way. But Bianca and the guy she has her eye on, Joey, are eager, so Joey fixes Kat up with Patrick, a new kid in town just bitter enough for Kat.
Canadian Richard Hannay, residing in London, meets secret agent Annabella Smith immediately following a shots fired incident. She asks to go home with him. Back at Hannay’s flat the mysterious woman confides that she fears for her life and is on a critical mission relating to protecting state air ministry secrets. Later that night assassins murder her. Believed by the police to be her killer, Hannay is forced to go on the run and flees to Scotland in a desperate attempt to see Annabella’s mission through before it’s too late. Along the way he chances upon beautiful Pamela, who unwillingly becomes his accomplice in the mission.
The son of Emperor Franz Josef of Austria, Crown Prince Rudolf, is believed to have shot his female lover and himself in a tragic suicide pact in 1882 in Mayerling. Due to Imperial cover-ups, the full story may never be known. This story has been filmed several times, in French in 1935 and in English in 1968. Hungarian director Miklos Jancso recreates those events for his own purposes, continuing his favored theme of the rejection of paternal authority. In the film, which has very little dialog, Rudolf is a good-natured pan-sexual golden boy, who cavorts on his rural estate with a host of beautiful, aristocratic lovers and friends of both sexes. He refuses to leave his country idyll even though he has been ordered to by the Emperor, his father. Despite the fact that for a large part of the film, attractive young people go about unclothed and engaging in erotic encounters, the mood is one of melancholy rather than prurience.
Two brothers, desperate to break into the world of television and film, decide to enter a horror movie contest. And what could be more horrifying than the elusive snuff film?
A former sorority girl, longing for her old, fun college days, decides to take a job as house mother to her former college chapter, only to find that it is in shambles. The handsome Dean of Student Affairs tells her she must turn the chapter around before the national organization yanks their charter and they will no longer be allowed on campus. As she works with the girls, she realizes she needs to be the grown up and help these young women discover their true potential. With the help of the Dean she comes up with a way to save the chapter and falls in love in the process.
Two fugitives land in hot water when they take a hostage who poses a threat to their well-being.
It is a Saturday in autumn, and Karin and Simon are visiting their parents and youngest sister Clara. This family gathering provides the occasion for a dinner together, at which other relatives appear over the course of the day. While the family members animate the apartment’s space with their conversations, everyday activities and cooking preparations, the cat and dog range through the various rooms. they too become a central element in this quotidian familial dance that repeatedly manifests stylized elements, disrupting any naturalistic mode of presentation. In this way, adjoining spaces open up between family drama, fairy tale and the psychological study of a mother.
Lyle is filled with rage. After badly beating a classmate during a schoolyard fight, Lyle is committed to a juvenile mental institution in lieu of criminal prosecution. Inside the hospital, Lyle encounters a group of adolescents struggling with a variety of illnesses.