A woman has disappeared. The day after a snowstorm, her car is found on a road leading to a plateau with with nothing but a few scattered farms. The gendarmes have nothing to go on, while five individuals well know they have something to do with the woman’s disappearance. They all keep their secrets to themselves, but no one suspects that the whole story began far from these windswept wintry peaks: on another continent, in the burning sun, where poverty doesn’t stop desire from taking the law into its own hands.
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Kasane Fuchi (Kyoko Yoshine) is the daughter of a beautiful, legendary actress. Kasane has excellent acting skills as well, but she is not attractive. She has a hard time due to her unattractiveness. Kasane has a lipstick left behind by her late mother. The lipstick holds a strange power. Whenever Kasane applies the lipstick and kisses someone, she takes that person’s face. Meanwhile, Nina Tanzawa (Tao Tsuchiya) is a beautiful actress with poor acting skills. She meets Kasane Fuchi and their fates change.
Staring into seemingly hopeless futures, half-siblings Carl and Jessie rebel against the ties that bind them to their dying town and to each other through an act of love both tender and traumatic that forces a generation of hard truths and recriminations out into the open.
Between 1926 and 1927, the Italian intellectual and Communist political figure Antonio Gramsci spent 44 days imprisoned on the island of Ustica, off the northern coast of Sicily. Together with his fellow prisoners, he founded a school. This unique institution was open to all, welcoming people of all ages and social backgrounds, even the illiterate. Ustica still remembers this revolutionary school. Ustica, remote and neglected, still waits patiently at the harbor, hoping that the boat from the mainland will come.
Terminal Island, New York: 2020. Overcrowding in the US penal system has reached a breaking point. Prisons have been turned over to a monolithic Weyland Corporation, which sees jails full of thugs as an opportunity for televised sport. Adrenalized inmates, a global audience hungry for violence and a spectacular, enclosed arena come together to form the ‘Death Race’, the biggest, most brutal event.
Quite by accident, a film director arrives in town a day early. With time to kill before his lecture, he stops by a restored palace and meets a fledgling artist. She’s never seen any of his films, but knows he’s famous. They talk, they go to her workshop to look at her paintings, and they have sushi and soju. More conversation follows, along with more drinks, and then an awkward get-together with friends where all sorts of secrets are revealed. All the while, they may or may not be falling for each other. Then, quite unexpectedly, we begin again, but now things appear somewhat different. An uncanny romantic comedy, RIGHT NOW, WRONG THEN is a deliciously intricate masterwork from filmmaker Hong Sangsoo.
Daryl Zero is a private investigator. Along with his assistant, Steve Arlo he solves impossible crimes and puzzles. Though a master investigator, when he is not working, Zero doesn’t know what to do with himself. He has no social skills, writes bad music, and drives Arlo crazy. In his latest case, Zero must find out who is blackmailing a rich executive, and when his client won’t tell him, why.
Bumbling Ernest P. Worrell is assigned to jury duty, where a crooked lawyer notices a resemblance with crime boss Mr. Nash, and arranges a switch. Nash assumes Ernest’s job as a bank employee, while Ernest undergoes Nash’s sentence to the electric chair. But instead of killing him, the electrocution gives Ernest superhuman powers, enabling him to escape from jail and foil Nash’s attempt to rob the bank.
Chris Neilson dies to find himself in a heaven more amazing than he could have ever dreamed of. There is one thing missing: his wife. After he dies, his wife, Annie killed herself and went to hell. Chris decides to risk eternity in hades for the small chance that he will be able to bring her back to heaven.