An American neurologist (Tamela D’Amico) uproots her life to study music therapy in India and ends up helping people with disabilities by bringing them together through music.
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A social drama about four marginalized prostitutes in Marrakech and their complex relations with their families and society at large.
Ali (LAWRENCE ADISA), is a struggling real estate agent and ladies man who has never desired to commit to anyone or anything. One night while out with his buddy Chris (OMAR MILLER), Ali meets and falls for Sandrine (DAVETTA SHERWOOD), a single mother who works hard and is looking for love. Ali’s best friend Joel (BRIAN HOOKS) and his wife (TANGI MILLER) are happy to see Ali cut off his line of women, while Sandrine’s best friend Steph (TEYANA TAYLOR) is unenthusiastic about Sandrine welcoming a man into her home to meet her son and mother (KELLITA SMITH). With a declining real estate career and issues with his new relationship, Ali starts questioning just how committed he’s willing to be. One important meeting with real estate mogul James Johnson (MEKHI PHIFER) could change his life for forever. For the first time it looks like Ali may make a transformation if he can steer clear of obstacles. In the end will love conquer all? Or will broken hearts be all that’s left of their romance?
Arnulfo Rubio smuggles weapons from Arizona to Mexico for a drug cartel, but he is being investigated by agent Harris. When agent Harris blows his covers, he and Arnulfo end up in a journey where he will be the hostage of this young criminal.
Debbie Taylor is a former 1980s pop star bent on making a comeback and returning to the Billboard charts. As she prepares to once again take the music industry by storm, Debbie’s record label deems her irrelevant and abruptly drops her. Out of money, she leaves the fast lane of New York to move in with her sister in Youngstown, Ohio.
Su-chan, Mai-chan, Sawako-san follows the lives of three women who are former co-workers. 34-year-old Su-chan works at a coffee shop and has feelings for the manager there. 34-year-old Mai-chan works at an OA machine maker. She is in a relationship with a married man. 39-year-old Sawako works as a web designer and also takes care of her grandmother. -san and her mother take care of her grandmother.
In a city where greeting card writers are celebrated like movie stars, Romance writer Ray used to be the king. In trying to recapture the feelings that once made him the greatest, he gets entangled in a web of murder and deceit as writers vie to create the perfect card for a new holiday: Girlfriend’s Day.
Hisashi and Mai are a happy couple in their 20s who are engaged to be married. But three months before their wedding, Mai becomes seriously ill. Her heart stops momentarily, and she falls into a deep coma. Hisashi visits Mai at the hospital every day before work. With no idea if or when she will ever awake, Mai’s parents encourage Hisashi to find someone else, but he refuses to give up and continues to pray for her recovery. As if his prayers are answered, Mai begins to regain consciousness several years later, and even utters a few words. But tragically, she has suffered brain damage and has no memory of Hisashi.
Kenny is an ice cream vendor in Chicago with a crisp white uniform and an apathetic heart. When he encounters Lolita, a sharp-tongued but despondent insurance actuary, their heated conversation, natural spark and mutual hopelessness lead to an unusual proposal for a meet-cute: to travel to San Francisco, where they will jump off the Golden Gate Bridge together.
A rebellious teenager, a hardcore gang member, and an idealistic cop risk everything to find their place in the crumbling fabric of modern America. While idealistic rookie cop David is able to keep his family safe until use-of-force incidents put him under pressure to make a fateful decision, hardcore gang member Lito steps into dangerous territory when he defies gang matriarch Tia in his hustle for wealth and power. At the same time, rebellious teenager Rio flirts with gang life until he has to deal with his own guilt over a tragic death.
