The families on Christmas Street have been so busy with their day-to-day lives that they lose sight of the importance of family during the holiday season.
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From director John Frankenheimer (‘The Manchurian Candidate’) comes this powerful drama of soaring ambition and shattered dreams that takes a provocative insider’s look at the way our country goes to war–as seen from inside the LBJ White House leading up to and during Vietnam.
“The Iron Orchard” is the story of Jim McNeely, a young man thrust into the vibrant and brutal West Texas oilfields in 1939, who works his way through the ranks to ultimately become a formidable wildcatter.
The story of the 2000 K-141 Kursk submarine disaster and the governmental negligence that followed. As the sailors fight for survival, their families desperately battle political obstacles and impossible odds to save them.
Jack Thornton has trouble winning enough at cards for the stake he needs to get to the Alaska gold fields. His luck changes when he pays $250 for Buck, a sled dog that is part wolf to keep him from being shot by an arrogant Englishman also headed for the Yukon. En route to the Yukon with Shorty Houlihan — who spent time in jail for opening someone else’s letter with a map of where gold is to be found — Jack rescues a woman whose husband was the addressee of that letter. Buck helps Jack win a $1,000 bet to get the supplies he needs. And when Jack and Claire Blake pet Buck one night, fingers touch.
An affluent neighborhood family is visited by a zombie.
The mutilated body of a six year old girl is found in a water hole. The girl is identified as the missing daughter of Claudia. However, only two peices of evidence could be used to identify her; a bracelet with her name on it near the crime scene, and the fact that her right leg was three inches longer than her left. All other methods of identification were removed from her body. Five years later Claudia, now addicted to tranquilizers, receives a phone call from someone claiming to be her daughter, asking for her mother to come find her before ‘they’ kill her. Other mysterious clues show up, further indicating that Claudia’s daughter is indeed still alive, and very much in danger. Claudia, a run-down ex-cop, and a parapsychology reporter put together the clues to discover Angela’s whereabouts
Photographer Stephanie has just completed another round of treatment for chronic anorexia and is working hard to reconnect with her family. Her mother Susan is supportive but preoccupied by her forthcoming wedding to Annette. Stephanie’s teenage daughter, competitive swimmer Pearl, seems hellbent on refusing her a second chance. Stephanie will need all the strength she has.
Three wealthy children’s parents are killed in a fire. When they are sent to a distant relative, they find out that he is plotting to kill them and seize their fortune. This movie is extremely alarming, an expression which here means “a thrilling misadventure involving three ingenious orphans and a villainous actor named Count Olaf (Jim Carrey) who wants their enormous fortune.” It includes a suspicious fire, delicious pasta, Jim Carrey, poorly behaved looches, Billy Connolly, an incredibly deadly viper, Meryl Streep, and the voice of an imposter named Jude Law.
Baby Bink couldn’t ask for more; he has adoring (if somewhat sickly-sweet) parents, he lives in a huge mansion, and he’s just about to appear in the social pages of the paper. Unfortunately, not everyone in the world is as nice as Baby Bink’s parents; especially the three enterprising kidnapers who pretend to be photographers from the newspaper. Successfully kidnaping Baby Bink, they have a harder time keeping hold of the rascal, who not only keeps one step ahead of them, but seems to be more than a little bit smarter than the three bumbling criminals.
VIOLET follows “Violet Morton,” a 32 year-old film executive who is living her life listening to this “Voice,” resulting in fear-based decisions. She has made these decisions to avoid potential “worst-case scenarios” in her romantic life, her family life, and her professional life, and they have taken her away from who she really is. She has grown accustomed to this, to not being quite “herself,” and sees nothing amiss, until a friend’s comment makes her realize that The Voice has been lying to her. Her entire life.
A lonely metermaid has a psychotic reaction to his medication and becomes convinced he’s a superhero. A very select group of people in life are truly gifted. Special is a movie about everyone else.
