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An indigenous lawyer represents the division among his people between traditional caring for the land and developing the resources it contains.
From the 1930’s to the 1970’s, pretty well every comedian or comic you might see on TV or the movies was Jewish. Jews came to dominate the world of western‐society comedy on radio, stage and screen alike.Why did Jews dominate comedy in this period? And why did that domination end? Were Jews just funnier back then? And if so, did that extend to your average Jew on the street? In this 90 minute documentary acclaimed director Alan Zweig will examine these questions and many others in this exploration of 20th century humour, cultural decay, and a search for a missing heritage.
A profile of Boubacar Traore, “Mali’s Elvis Presley”, a love story told by a singer whose music takes us on a social, political and geographic voyage of Mali from 1960 to our days.
Why do 11,000 people die in America each year at the hands of gun violence? Talking heads yelling from every TV camera blame everything from Satan to video games. But are we that much different from many other countries? What sets us apart? How have we become both the master and victim of such enormous amounts of violence? This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist’s Cookbook to the murder of a six-year-old girl by another six-year-old, Bowling for Columbine is a journey through America, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.
An inside look at the making of the movie Star Wars: Episode VII – The Force Awakens (2015), featuring footage and exclusive interviews with the actors and filmmakers.
This documentary that takes viewers inside one of the world’s most sinister secret societies — the Ku Klux Klan. Based on an award-winning investigative AP series, the true-crime documentary captures the infiltration of the klan in northern Florida by a former Army infantryman named Joe Moore and includes exclusive new interviews with the FBI agents who oversaw the operation and exposes systemic corruption.
At a time in the United States when the tech sector outpaces the overall growth of the employment market, CODE asks the important question: Where are all the women?
A Dutch couple, Martin and Margo Verfondern, move to a remote Spanish village of Santoalla to start a new life. There is conflict with the Spanish residents resulting in the disappearance of Martin.
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte is daughter and son, grandmother and grandfather; father of three, though orphaned of one. Laerte is the one who walks their daughter down the aisle as father and woman; who, even without a uterus, gestates. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.