A married woman loses her memory after a train accident. As her memory starts to return, she thinks she might have had an affair with a missing man.
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Writer and Adderall enthusiast Stephen Elliott reaches a low point when his estranged father resurfaces, claiming that Stephen has fabricated much of the dark childhood that that fuels his writing. Adrift in the precarious gray area of memory, Stephen is led by three sources of inspiration: a new romance, the best friend who shares his history, and a murder trial that reminds him more than a little of his own story. Based on the memoir of the same name.
Miguel is the perfect coyote: dedicated, single-minded, his record unblemished. His home is the winding path of the migrant: the back alley gravel, the crumbled pavement, and last – the river. Despite this perfect record, Miguel is no stranger to death. His nickname, “El Maldito” hints of what we will soon see for ourselves, for Miguel seems haunted by the dead and dying. He comes upon them on desert roads; he hears their confessions, and takes part in their dying wishes. Miguel’s house, much like the man himself, stands alone; yellowed photographs breathe the sigh of a life given over to a singular purpose – crossing his people to a new life. There are signs that this quiet struggle is soon to break. When a terrible wreck draws Miguel to the roadside, the order of his life comes to ruin, for Elena, the wreck’s lone survivor, recognizes Miguel.
Waxing nostalgic about the bittersweet passage from childhood to puberty in this tender coming-of-age tale, four childhood girlfriends — Teeny, Chrissy, Samantha and Roberta — recall the magical summer of 1970. During their walk down memory lane, they reconcile experiences with boys, secrets, bullies and more.
Rumors of demonic possession at a religious convent prompts a church investigation into the strange goings-on among its nuns. A disaffected priest and his neophyte are confronted with temptation, bloodshed and a crisis of faith.
Billy Wong is a New York City cop whose partner is gunned down during a robbery. Billy and his new partner, Danny Garoni, are working security at a fashion show when a wealthy man’s daughter, Laura Shapiro, is kidnapped. The Federal authorities suspect that Laura’s father is involved with Mr. Ko, a Hong Kong drug kingpin, so the NYC police commissioner sends the two cops to Hong Kong to investigate.
The estranged daughter (Lauren Lee Smith) of a recently deceased filmmaker gains a new understanding of her father when she offers to create a retrospective of his work.
Hollywood beckons for recent film school grad Nick Chapman, who is out to capitalize on the momentum from his national award-winning student film. Studio executive Allen Habel seduces Nick with a dream deal to make his first feature, but once production gets rolling, corporate reality begins to intervene: Nick is unable to control a series of compromises to his high-minded vision, and it’s all he can do to maintain his integrity in the midst of filmmaking chaos.
Kuki Fumihiro is a son from a wealthy zaibatsu (conglomerate) family. His father raises him to become pure evil. Kuki kills his father to protect his adopted sister Kaori. Afterward, Kuki disappears. He undergoes plastic surgery and takes the identity of Koichi Shintani. He watches Kaori and faces the great evil that exists within the Kuki family
Frank Pierce leads a seemingly normal life, but when a disturbing past reemerges & something precious is taken from him, his mask of sanity loosens & unearths the urge to be violent once again.
A former Weather Underground activist goes on the run from a journalist who discovers his identity.
George Wallace is a 1997 television film starring Gary Sinise as George Wallace, the former Governor of Alabama. It was directed by John Frankenheimer, who won an Emmy award for it; Sinise and Mare Winningham also won Emmies for their performances. The film was based on the 1996 biography Wallace : The Classic Portrait of Alabama Governor George Wallace by Marshall Frady, who also co-wrote the teleplay. Frankenheimer’s film was highly praised by critics: in addition to the Emmy awards, it received the Golden Globe for Best Miniseries/Motion Picture made for TV. Angelina Jolie also received a Golden Globe for her performance as Wallace’s second wife, Cornelia.
