Residents in a lonely gulch of inland California bear witness to an uncanny, chilling discovery.
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Supernatural/Horror set against the backdrop of Bangkok, Thailand. After a high-speed police chase leads to an unexpected crash, two Americans bank robbers and their three local hostages take shelter in a mysterious manor in the woods. As the criminals plot their next move and the hostages try to escape, they begin to realize no one is safe from the evil lurking inside the house.
Siblings headed to a family wedding endure a night of increasingly frightening practical jokes while staying at a secluded motel.
Ford plays an American doctor whose wife suddenly vanishes in Paris. To find her, he navigates a puzzling web of language, locale, laissez-faire cops, triplicate-form filling bureaucrats and a defiant, mysterious waif who knows more than she tells.
In a future where a failed global-warming experiment kills off most life on the planet, a class system evolves aboard the Snowpiercer, a train that travels around the globe via a perpetual-motion engine.
Set in postwar Vienna, Austria, “The Third Man” stars Joseph Cotten as Holly Martins, a writer of pulp Westerns, who arrives penniless as a guest of his childhood chum Harry Lime, only to find him dead. Martins develops a conspiracy theory after learning of a “third man” present at the time of Harry’s death, running into interference from British officer Maj. Calloway and falling head-over-heels for Harry’s grief-stricken lover, Anna.
Fourteen souls were left to winter-over on Britain’s largest Antarctic base, but nearly six months into winter all contact was lost. When a rescue team was sent into investigate no one was found alive. . . . . . . Cut off from the outside world, the small community gradually become fractured and antagonistic. From out of this dark crucible of malcontent, a killer emerges. In the isolated and disparate group, members are picked off one by one, paranoia ensues and no one is safe. Filmed and edited entirely on location in Antarctica, the story demonstrates that, even in the most inhospitable environment on earth, the most malevolent threat lurks inside ourselves
It is 2016 and a fearful world seems to be on the brink of a nuclear catastrophe. A researcher in psychical events and his girlfriend travel to deepest Dartmoor to investigate a centuries-old building. What they unlock and discover is way more than they could have ever bargained for. An exciting first feature from newcomer Eugene McGing, who expertly takes familiar tropes and gives them a fresh spin in this genuinely terrifying haunted house tale.
A young girl whose sister was murdered by werewolves helps an investigator track down a gang of the beasts through the U.S. and Europe.
An alien who plans on taking over the Earth, starts by wiping out people’s libidos. The only ones who can stop this, is a scantily clad, female rock group.
While a virus that causes the dead to reanimate brings the world to its knees, the scientist responsible entrusts his cataclysmic findings to Katya Nevin, a troubled ex-war correspondent turned anchor-woman at W.W News. While she and the rest of her crew witness the collapse of society via video feeds from around the globe, a deadly special agent climbs the building floor by floor, his only goal to ensure her silence. Armed only with information and an indomitable will to live, Katya must overcome her crippling anxiety and learn to lead in order to make it out of the studio and into a terrifying new world where only the dead survive.
A failing radio host finds out she has inherited a farm house in Wales from a family she never knew she had. But what goes on the land is story in which people have gone missing every 20 years. Fixed on repairing her career, she sets off with her friends to make the ultimate discovery for her radio show – but what she discovers may well be what she would least expect – for every 20 years, the Scarecrow will rise, and this time – he’s seeking a bride.