A group of people try to survive an attack of bloodthirsty zombies while trapped in a rural Pennsylvania farmhouse. Although not the first zombie film, Night of the Living Dead is the progenitor of the contemporary “zombie apocalypse” horror film, and it greatly influenced the modern pop-culture zombie archetype.
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Death by 1000 cuts refers to an ancient method of torture in which numerous small cuts were made on a victim’s body. None of the cuts were deadly by themselves, but the combination of them would cause them to die a slow, painful death. In psychology, it refers to small issues that are overlooked until they add up to something too big to ignore. Sometimes I question which version of the phrase is worse.
College students from Youngstown, Ohio were planning a simple fashion blogging documentary before a zombie invasion changed their film, and their lives. Teaming up with an ex-soldier turned zombie-hunter, the co-eds face threats from the undead and their corporate overlords.
In a foggy winter morning, a raft brings a priest to an isolated island. He is getting paid to perform a wedding ritual under very mysterious conditions. The groom is Victor Frankenstein, and the young and beautiful bride is his cousin Elizabeth. Seven armed and dangerous mercenary soldiers have been hired to protect her against something huge that hides in the woods, awaiting for that wedding night to be consummated. Victor is the only one who knows the truth about their enemy. His secret will be paid with the life of his private army, whose men will die one by one, as the creature gets closer to his target: the bride.
A game designer on the run from assassins must play her latest virtual reality creation with a marketing trainee to determine if the game has been damaged.
Nothing is as it seems as an ex-con and aspirant filmmaker set out to manufacture a horror film by scaring real people; however, when it goes too far and someone actually dies, the pair decide that killing for real on film is the way to make a truly terrifying movie.
A group of popular teenagers trick three unsuspecting classmates into the woods to see what it’s like to kill someone.
An Army psychologist held captive by an unknown adversary must find her way out of an RV in the middle of nowhere to survive.
Successful writer Anna James rents a remote farmhouse in England to begin work on the latest of a series of teen crime novels – The Emma Hart Mysteries. Initially, the setting seems perfect, but soon her idyll becomes unsettled by the presence of an unquiet spirit – that of the former lady of the house, Winifred Meeks. As Anna delves into her writing – while a deadline looms – she also determines to uncover the history of the property and with that, unwittingly move closer to a disturbing confrontation with the tragic figure that continues to hold sway within the walls of Seaview House.
After a dying Voodoo queen chooses an adopted apprentice as her successor, her true heir is outraged. Seeking revenge, he buys the bones of Blacula the vampire off of a dealer, and uses voodoo to bring the vampire back to do his bidding. In turn, Blacula turns him into a vampire and makes him his slave. Meanwhile, a police officer with a large collection of African antiques and an interest in the occult investigates the murders caused by Blacula and his vampire horde.
