In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.
You May Also Like
A woman is forced to go on the run when her superhuman abilities are discovered. Years after having abandoned her family, the only place she has left to hide is home.
Ana is transported to a dreamlike and dangerous land where she joins an army of girls engaged in a never-ending war. Though she finds strength in this exhilarating world, she realizes that she’s not the killer they want her to be.
A young novelist tries to write about love, but realizes he will first need some real-life experience before taking on the subject.
A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach (Michael Douglas). After the initial eliminations, seventeen hopefuls remain, among them Cassie (Alyson Reed), who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he’s willing to let professionalism overcome his personal feelings about their past remains to be seen.As the film unfolds, the backstory of each of the dancers is revealed. Some are funny, some ironic, some heartbreaking. No matter what their background, however, they all have one thing in common – a passion for dance.
A mother’s last wishes send twins Jeanne and Simon on a journey to Middle East in search of their tangled roots. Adapted from Wajdi Mouawad’s acclaimed play, Incendies tells the powerful and moving tale of two young adults’ voyage to the core of deep-rooted hatred, never-ending wars and enduring love.
A nurse from the Ukraine searches for a better life in the West, while an unemployed security guard from Austria heads East for the same reason. Both are looking for work, a new beginning, an existence, struggling to believe in themselves, to find a meaning in life..
Dante accidentally kisses Alice and they get engaged. After a surprise party for his 40th birthday, he wakes up a year later, not remembering what happened. Not only does he discover that Alice is pregnant… He feels time is passing too quickly and he starts forgetting some of the most important moments of his life.
Transfer student Mizuki Aonuma (Rina Sakuragi) is bullied mercilessly by classmate Aya (Eriko Nakamura) and others. Nevertheless, Mizuki is always able to maintain her calm composure. Kirie (Maika Shimamura), who has a passive character and is also bullied, becomes interested in Mizuki and longs for her. The two become close. With a guy named Shibanai (Syun Asada), Mizuki and Kirie decide to stand up to their tormentors. Mizuki though is badly beaten by Aya. Kirie and Shibanai are assaulted by teachers and endure shocking violence. Mizuki decides to get revenge. She wanders the street at night. At that time, Mizuki becomes possessed by a poisonous flower spirit. Madness of the flower spirit begins.
At the end of the worst day in his life, Arun Prajapati (Salman Khan) angrily rages against God for making his life miserable. To his astonishment, God (Amitabh Bachchan) appears before him in human form and endowing Arun with all of his divine powers, challenges Arun to take on the big job and see if he can do it any better.
