Three stories happening in New York. The first, by Scorsese, is about a painter who creates his works helped by high volume music and an attractive assistant; second, by Coppola, is about a rich and bold 12 years old who helps her separated parents to reconciliate; third, by Allen, is a witty piece of comedy about the impossibility of getting rid of the son’s role.
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After the death of her father, Natalie Travers (Melissa Gilbert) discovers he was married to a rodeo star before he married Natalie’s mother. Upset that her father kept part of his life a secret from her and bewildered over how a prominent judge could fall for a cowgirl, she sets out to find Maggie Mae Jarrett. But Natalie meets her daughter Jessie Mae Jarrett (Lindsay Wagner) who is struggling to keep the wild horses on her land alive and safe.
In 1983, yacht sailor Will Parker leads an American crew financed by millionaire Morgan Weld to defeat during the America’s Cup race against an Australian crew. Determined to get the prize back, Will convinces Morgan to finance an experimental boat designed by his ex-girlfriend Kate’s new beau, Joe Heisler. When the boat is completed, the Americans head to Australia to reclaim the cup.
Sebastian (Hendler) meets Natalia (Bertuccelli) when trying to steal an important piece of art from a museum, and she wins the hand. Rivals declared, the two have to work together later in a robbery more complex: a valuable and unique bottle of Malbec from Bordeaux in the mid-nineteenth century, listed as one of the best wines in the world and jealously guarded in the vault of a bank, in Mendoza. In a world full of glamor, between vineyards and mountains, the thieves will have to display their magic, but while preparing discover theft, each to his own, that nothing will be as thought
Olivia, Eloy, Guille and Anna travel to Berlin to pay a surprise visit to their friend Comas. His welcome is not as they expected and during the weekend their friendship is put to the test. Together they discover that time and distance can change everything.
In tiny Colewell, Pennsylvania, the residents gather at the post office for mail and gossip, while the days pass quiet and serene. That is until news comes that the office is to close, and beloved clerk Nora (a marvelous Karen Allen) is left to fight for her job and reflect on the choices she has made that kept her in Colewell for so many years. Touching, with a hint of melancholy, Tom Quinn’s eloquent film is an ode to small-town life and the quiet emotions that come with nostalgia and memories of the past. As fears arise around her future and her past becomes ever more present, Nora states, “I don’t want to be lonely,” but what that means is elusive. Colewell gorgeously captures rural America, while giving space to the beauty of time passing and reflecting on what determines a life well lived.
Comedian and actress Nikki Glaser takes on a range of topics in her brutally-honest yet conversational style. Whether she’s dishing about sex, outlining the do’s and dont’s of dating (and how to trick someone into marriage), or oversharing about her (not-so-private) parts, Glaser delivers an hour of unapologetic and no-holds-barred comedy around topics often considered “taboo,” and showcases her ability to pivot from humiliating moments to being an empowering voice for women: the kind she yearned for as a confused adolescent.
An island on spectacular Sydney Harbour. Summer sun Top international artists. Tens of thousands of music fans from across the world Idyllic… Until unimaginable disaster strikes.
A renowned Mexican journalist and documentary filmmaker living in Los Angeles, after being named the recipient of a prestigious international award, is compelled to return to his native country, unaware that this simple trip will push him to an existential limit.
Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment. The abused and suppressed children of the villagers seem to be at the heart of this mystery.