Based on the real-life friendship between Anne Frank and Hannah Goslar, from Nazi-occupied Amsterdam to their harrowing reunion in a concentration camp.
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Fatima, a Moroccan-born woman who now lives in France with her two teenage daughters, with whom she is barely able to communicate.
Set in the early ’80s and ’90s in Gujarat, India, ‘Raees’ is a fictitious story of a crime lord named Raees, who builds an entire empire from scratch, and a police officer who is determined to bring him down.
Aging sidekick Lefty Brown has ridden with Eddie Johnson his entire life. But when a rustler kills Eddie, Lefty is forced from his partner’s shadow and must confront the ugly realities of frontier justice.
Shifting from one pocket to another, from one man’s drama to another, a lowly dollar bill, ‘one buck’ takes us on an odyssey through the heart of a forgotten town in Louisiana.
Roman police detectives interrogate a series of potential perpetrators in their struggle to determine whom to arrest for the brutal murder of a beautiful prostitute whose body is discovered in a park on the day of a torrential rainstorm. One by one, the prime suspects — girl-crazy teenager Nino, pickpocket Canticchia, a soldier on leave, a tourist and a pimp — recount the events of the day to the police, each insisting he is innocent.
A historical drama that illustrates Russian author Leo Tolstoy’s struggle to balance fame and wealth with his commitment to a life devoid of material things. The Countess Sofya, wife and muse to Leo Tolstoy, uses every trick of seduction on her husband’s loyal disciple, whom she believes was the person responsible for Tolstoy signing a new will that leaves his work and property to the Russian people.
The lives of a filmmaker, pianist, painter, and architect collide and intertwine in a multilayered tale of love, art, violence, and power dynamics that ultimately questions, what is real?
Twisted, apocalyptic satire, THIS IS NOT A MOVIE envisions the end of the world through the bi-polar mind of a strung-out pop-culture addict. Starring Edward Furlong and Peter Coyote, with a jagged, atmospheric score from Slash.
The time: 1814. The place: Edo, now known as Tokyo. A much accomplished artist of his time and now in his mid-fifties, Tetsuzo can boast clients from all over Japan, and tirelessly works in the garbage-loaded chaos of his house-atelier. He spends his days creating astounding pieces of art, from a giant-size Bodhidharma portrayed on a 180 square meter-wide sheet of paper, to a pair of sparrows painted on a tiny rice grain. Third of Tetsuzo’s four daughters and born out of his second marriage, outspoken 23-year-old O-Ei has inherited her father’s talent and stubbornness, and very often she would paint instead of him, though uncredited. Her art is so powerful that sometimes leads to trouble. “We’re father and daughter; with two brushes and four chopsticks, I guess we can always manage, in a way or another.”
A teenage boy reluctantly turns to the streets to earn $6,000 a month for his mother’s cancer medicine and quickly discovers that street money does not come easy. When an old family friend makes him a syndicate boss, jealousy and greed immediately turn his friends against him. With pressure mounting from all sides, he must choose between saving his mother’s life and saving his own.
