A film that rewrites the moto playbook, with the biggest jumps, the gnarliest tracks, and some of the most remote locations a motorcycle has ever touched.
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Inspired by true events from the spring of 1944 when the Nazis organized a football match between a team of camp inmates and an elite Nazi team on Adolf Hitler’s birthday. A match the prisoners are determined to win, no matter what happens.
While investigating the furtive world of illegal doping in sports, director Bryan Fogel connects with renegade Russian scientist Dr. Grigory Rodchenkov—a pillar of his country’s “anti-doping” program. Over dozens of Skype calls, urine samples, and badly administered hormone injections, Fogel and Rodchenkov grow closer despite shocking allegations that place Rodchenkov at the center of Russia’s state-sponsored Olympic doping program.
In 2019, Nepalese mountain climber Nirmal “Nims” Purja set out to do the unthinkable by climbing the world’s fourteen highest summits in less than seven months. (The previous record was eight years). He called the effort “Project Possible 14/7” and saw it as a way to inspire others to strive for greater heights in any pursuit. The film follows his team as they seek to defy naysayers and push the limits of human endurance.
Katelin Kingsford, an Olympic hopeful figure skater wants to train with a Russian figure skating coach. In order to go to go to the school that Natasha is at, Katelin gets a scholarship playing on the girls hockey team.
By the age of twenty, Eduard Streltsov has everything one can dream of: talent, fame and love. He is the rising star of Soviet football. The whole country, with bated breath, expects victory from the national team at the upcoming World Cup where Streltsov is to face the great Brazilian football player Pelé. However, two days before the departure of the team, the sportsman’s enemies manage to destroy his career. When the door to big sport seems to be closed for good, Streltsov has to re-enter the field and prove that he is a true champion who is worth everybody’s love.
89 tells the incredible story of one of football’s greatest triumphs: when against all odds Arsenal snatched the Championship title from Liverpool at Anfield in the last minute of the last game of the 1988/89 season. It’s a universal tale of a band of brothers who, led by a charismatic and deeply respected manager, came together to defy the odds and create history.
As America’s stock of athletic young men is depleted during World War II, a professional all-female baseball league springs up in the Midwest, funded by publicity-hungry candy maker Walter Harvey (Garry Marshall). Competitive sisters Dottie Hinson (Geena Davis) and Kit Keller (Lori Petty) spar with each other, scout Ernie Capadino (Jon Lovitz) and grumpy has-been coach Jimmy Dugan (Tom Hanks) on their way to fame. Madonna and Rosie O’Donnell co-star as two of the sisters’ teammates.
On Any Sunday, The Next Chapter” is an exploration into the two-wheeled world of motorcycle riding. The film journeys deeper into the humanity, thrills and excitement behind the global culture of motorcycle riding. We meet those who are bonded by their passion for the race, we experience the exhilaration of the ride and we witness the love of family and friendship as each individual seeks out their next thrilling moment on the bike.
During a commemoration for Japanese soldiers fighting in the US Army during World War II, Mr. Miyagi meets the widow of his commanding officer. He gets to know her granddaughter Julie, an angry teenager who is still feeling the pain of losing both her parents in an accident and is having problems with her grandmother and her fellow pupils. Mr. Miyagi decides to teach her karate to get her through her pain and issues and back on the right path.
Animalympics is all about the Animal Olympics Contest where all the animals around the world gather to take part in everything from skiing in North America to the very long marathon race in humid conditions. With lively music provided by Graham Gouldman, the film is very different to other cartoons, being more of a drama-comedy than cartoon.
