Hyun-myung, Doo-yong- and Gun-woo decide to spend the night at their secret place at the pond to celebrate their last day of high school and Sung-pil’s sister Kyung-mi’s birthday. Later night as the party intensifies, Gun-woo and Kyung-mi go back home quickly to get something, however they don’t make it back. The rest go searching for them only to find Gun-woo’s broken scooter and Kyung-mi’s dead body near the verge of the town and Gun-woo is missing. Four years later, Hyun-myung comes back in town and runs into his old friends. Eventually the truth of the past unfolds.
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An adaptation of Shakespeare’s tragedy set in modern-day Italy where two young lovers strive to transcend a violent world where Catholic and secular values clash.
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One room. One man. One decision. Not by many words, but by pure emotion, the movie Countdown gradually, but completely overwhelms the viewer, leading one into a very intimate world of a young man, where an intense battle between his desire for life and an unbearable sense of guilt takes place.
A high priest of Karnak travels to America with the living mummy Kharis (Lon Chaney Jr.) to kill all those who had desecrated the tomb of the Egyptian princess Ananka thirty years earlier.
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Rational, exacting, and self-controlled theater director, Henrik Vogler, often stays after rehearsal to think and plan. On this day, Anna comes back, ostensibly looking for a bracelet. She is the lead in his new production of Stindberg’s “A Dream Play.” She talks of her hatred for her mother, now dead, an alcoholic actress, who was Vogler’s star and lover. Vogler falls into a reverie, remembering a day Anna’s mother, Rakel, late in life, came after rehearsal to beg him to come to her apartment. He awakes and Anna reveals the reason she has returned: she jolts him into an emotional response, rare for him, and the feelings of a young woman and an older man play out.
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