How can a tiny mosquito be such an enormous threat to humankind? And how is it that this once distant threat is now lurking in our own backyards? Filmed on four continents and featuring breathtaking macro photography, Mosquito paints an emotionally charged portrait of the people who are now living with mosquito borne diseases and we in North America who fear their arrival.
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In the late ‘90s, “Sex and the City” took television by storm with its honest and hilarious perspective on love, relationships… and sex, earning legions of devoted fans. Over 20 years later, this exclusive and immersive documentary offers a unique behind-the-scenes look at the filming of the new chapter, “And Just Like That…”.
Compiled over two years, an ‘on-camera oral history’ of Easy Company, told by the veterans themselves. Accompanies the mini-series Band of Brothers.
Thousands of years ago a special, genetically advanced race of beings came to Earth. They were seen as Gods by primitive man and worshipped. They set themselves apart. Some mated with humans and created a special race. When the beings departed, a hybrid species remained and taught mankind. The human race, which had existed for tens of thousands of years as hunters and gatherers, now had systematic knowledge on a startling level. They control our hearts and minds; they control this world; they control every individual from the depths of outer space. From the moment you are born, you are numbered and moved through a process to feed their machine. Nobody is truly free. We are all working for the masters. On rare occasions, they are revealed to the world and in the 18th century we had a glimpse of their massive power. We know them as the Illuminati. From huge international corporations, to hidden governments, from secret societies to medicine, the Illuminati are in control.
Simon debates whether to end his life after being diagnosed with motor neurone disease.
Charged with 2400 volts of electricity, Eduardo Garcia lost an arm, ribs, muscle mass and nearly his life, but more important than what he lost is what he found.
“In re-viewing our Super 8 films, shot between 1972 and 1981, it occurred to me that they comprised not only a family archive but a testimony to the pastimes, lifestyle and aspirations of a social class in the decade after 1968. I wanted to incorporate these silent images into a story which combined the intimate with the social and with history, to convey the taste and colour of those years.” Annie Ernaux
In October of 2010, 2 young hunters shot a 7 foot tall animal they could not identify. It stood upright and walked like a man. Dead Bigfoot: A True Story, chronicles the events of hunter, Justin Smeja after his alleged shooting of 2 bigfoots in October of 2010. The filmmaker embarks on an investigation filled with witness interviews, an intense polygraph examination and a long hard look the evidence collected.
Exploring the labyrinth of the contemporary art world, The Price of Everything examines the role of art and artistic passion in today’s consumer-based society. Featuring collectors, dealers, auctioneers and a rich range of artists, from current market darlings Jeff Koons, Gerhard Richter and Njideka Akunyili Crosby, to one-time art star Larry Poons, the film exposes deep contradictions as it holds a mirror up to contemporary values and times, coaxing out the dynamics at play in pricing the priceless.
Follows the Boston Red Sox’ Tim Wakefield and the New York Mets’ R.A. Dickey – the only two major league pitchers who use the unpredictable knuckleball – during the 2011 season.
One in four women experience violence in their homes. Have you ever asked, “Why doesn’t she just leave?” Private Violence shatters the brutality of our logic and intimately reveals the stories of two women: Deanna Walters, who transforms from victim to survivor, and Kit Gruelle, who advocates for justice.
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Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form.
