The story of a pair of children born within moments of India gaining independence from England, growing up in the country that is nothing like their parent’s generation. A Canadian-British film adaptation of Salman Rushdie’s novel of the same name.
You May Also Like
Plagued by the abuse of her past and the turmoil of failed intimate encounters, Laura struggles to find a lover and a sense of normalcy. Her beacon of hope comes in sixteen year-old Eva, a talented pianist disillusioned by the life her mother imposes upon her. An unlikely relationship is formed between the two and Eva becomes an obsession to Laura. In light of Eva’s unhappiness, Laura convinces her to runaway to her house and they soon find themselves caught within an intense entanglement. Manipulation, denial and codependency fuel what ultimately becomes a fractured dynamic that can only sustain itself for so long.
Nine years on, another Morley child has gone missing on her way home from school. Detective Chief Superintendent Maurice Jobson is forced to remember the very similar disappearance of Clare Kemplay, who was found dead in 1974, and the subsequent imprisonment of local boy Michael Myshkin. Washed-up local solicitor John Piggott becomes convinced of Myshkin’s innocence and begins to fight on his behalf, unwittingly providing a catalyst for Jobson to start to right some wrongs.
Extremely shy Lars finds it impossible to make friends or socialize. His brother and sister-in-law worry about him, so when he announces that he has a girlfriend he met on the Internet, they are overjoyed. But Lars’ new lady is a life-size plastic woman. On the advice of a doctor, his family and the rest of the community go along with his delusion.
Shouya Ishida starts bullying the new girl in class, Shouko Nishimiya, because she is deaf. But as the teasing continues, the rest of the class starts to turn on Shouya for his lack of compassion. When they leave elementary school, Shouko and Shouya do not speak to each other again… until an older, wiser Shouya, tormented by his past behaviour, decides he must see Shouko once more. He wants to atone for his sins, but is it already too late…?
Ash Mayfair’s reworking of her acclaimed film THE THIRD WIFE into a silent, black and white film, creating a completely different cinematic experience. In late 19th century Vietnam, fourteen-year-old May becomes the third wife to a wealthy landowner. She quickly learns that she can gain status and security if she gives birth to a male child, but her burgeoning attraction to Xuan, the second wife, puts her fragile standing in jeopardy. As May observes the unfolding tragedy of forbidden love and its devastating consequences, she must make a choice, to either carry on in silence, or forge a path towards personal freedom.
Sisters Maggie and Lizzie move in with mom Peg’s new husband. Secrets and lies start immediately. Maggie cannot handle what follows and recruits a friend to help her plan to get out of town with her step father’s secrets. When Peg discovers that her daughter has run away, she now has to find Maggie fast but must come to terms with the dark secrets that led to Maggie’s fleeing and the secrets about her new husband.