Talented and cutthroat hairstylists at a competition find one of their own murdered before judging can begin. Winding through neon-lit halls, competitors unspool long-simmering resentments and lies as they search for the killer among them.
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Shunsuke Kawamura works for a real estate company. He is usually first at first when it comes to sales. He is respected by his boss and colleagues. Shunsuke is also set to marry the daughter of the CEO of his company. His life is going great by every metric one can think of. On the day before his wedding, his colleagues hold a surprise party for him. On his way home from the party, Shunsuke falls into a deep manhole. When he wakes up, it is late at night and he struggles to get out of the manhole. His wedding is also fast approaching.
In the future, the government maintains control of public opinion by outlawing literature and maintaining a group of enforcers, known as “firemen,” to perform the necessary book burnings. Fireman Montag begins to question the morality of his vocation.
Wrath of the crows is very gory and brutal, but tied by a strong concept and the whole story is focused on the characters’ development. So there’s not only splatter sequences, but also atmospheric moments, a few dream-like sequences and a final twist that will shock you all.
Ahmed, 18, is French of Algerian origin. He grew up in the Parisian suburbs. On the benches of the university, he meets Farah, a young Tunisian full of energy recently arrived from Tunis. While discovering a body of sensual and erotic Arabic literature that he never knew existed, Ahmed falls deeply in love with this girl, and although literally overwhelmed by desire, he will try to resist it.
A lone scientist maintains an underground bunker for the coming global nuclear disaster. But after becoming prematurely isolated, he slowly begins to question his own reality and whether he is truly alone. Director Richard Mundy’s immersive psychological thriller, is a tense and unsettling nightmare you’ll never be sure you’ve woken up from.
Roseanna is dying of a heart condition, and all she wants is to be buried next to her daughter, in a cemetery that is getting full fast. The cemetery can’t expand because Capestro, the man who owns the land next to the cemetery, won’t sell. While Marcello is doing good deeds to make sure no one dies, Roseanna thinks of Marcello’s future.