Mater is a film about the struggle between love and law; about social differences and distances that these generate. And about love, that crosses all, allows all: both good and evil.
You May Also Like
Geng Geng had been an ordinary girl before her entry to the best high school in the province by chance. She doesn’t like her life there until she meets Yu Huai, her seatmate – their names make up the word “Geng geng yu huai”, meaning “Unforgettable memories”. They don’t like each other at the beginning, but soon they start to understand each other.
After six months in modern Seattle, Ray, broke and lonely, decides to return to the Region, his depressed hometown, to finish his High School senior year. Once at home he quickly reconnects with old friends, and old habits.
A woman whose car breaks down in the desert finds her way to an abandoned town, where she is menaced by a gang of psycho bikers.
Benny, a small time YouTube star who catches predators online, experiences a night from hell when he lets one of them into his own home.
The classic story of English POWs in Burma forced to build a bridge to aid the war effort of their Japanese captors. British and American intelligence officers conspire to blow up the structure, but Col. Nicholson , the commander who supervised the bridge’s construction, has acquired a sense of pride in his creation and tries to foil their plans.
The provocative tale of a woman who snaps under crushing life pressures and assumes the psyche of a vicious dog. Her philandering, absentee husband is forced to become reacquainted with his four children and sister-in-law as they attempt to keep the family together during this bizarre crisis.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.
Malina wakes up disoriented in the trunk of a speeding car and discovers to her horror that she is missing more than her memory. With her mobile phone as the only link to the outside world, she wages a desperate battle for survival.
The second movie in David Hare’s Johnny Worricker trilogy. Loose-limbed spy Johnny Worricker, last seen whistleblowing at MI5 in Page Eight, has a new life. He is hiding out in Ray-Bans on the Caribbean islands of the title, eating lobster and calling himself Tom Eliot (he’s a poet at heart). We’re drawn into his world and his predicament when Christopher Walken strolls in as a shadowy American who claims to know Johnny. The encounter forces him into the company of some ambiguous American businessmen who claim to be on the islands for a conference on the global financial crisis. When one of them falls in the sea, their financial PR seems to know more than she’s letting on. Worricker soon learns the extent of their shady activities and he must act quickly to survive when links to British prime minister Alec Beasley come to light.
Freed after a lengthy term in a juvenile detention center, convicted child killer Jack Burridge (Andrew Garfield) finds work as a deliveryman and begins dating co-worker Michelle (Katie Lyons). While out on the road one day, the young Englishman notices a distressed child, and, after reuniting the girl with her family, becomes a local celebrity. But, when a local newspaper unearths his past, Jack must cope with the anger of citizens who fear for the safety of their children.
As Garibaldi’s troops begin the unification of Italy in the 1860s, an aristocratic Sicilian family grudgingly adapts to the sweeping social changes undermining their way of life. Proud but pragmatic Prince Don Fabrizio Salina allows his war hero nephew, Tancredi, to marry Angelica, the beautiful daughter of gauche, bourgeois Don Calogero, in order to maintain the family’s accustomed level of comfort and political clout.
