Mater is a film about the struggle between love and law; about social differences and distances that these generate. And about love, that crosses all, allows all: both good and evil.
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Caroline and Lloyd are a married couple constantly at each other’s throats, masters at crafting acid-tongued barbs at the other’s expense. Indeed, they are so obsessed with belittling each other that they never stop — not even at gunpoint. The gunman is Gus, a thief on the run from the police, who kidnaps the couple as an insurance policy, planning to use their home as a hideout. But their incessant bickering proves more than Gus bargained for, forcing him — for the sake of his own sanity — into the unenviable role of peacemaker. To make things even worse for Gus, he discovers that he has taken the couple hostage the night of their big Christmas party, and the guests are already on the way. Not wanting to leave Lloyd and Caroline unattended, Gus opts to attend the party, pretending to be the couple’s marriage counselor. This naturally leads to a series of comic confusions, as the hostage crisis and marital tensions head towards their inevitable conclusion.
Five years after Yippie founder Abbie Hoffman goes underground to avoid a drug-related prison sentence, he contacts a reporter to get out the story of the FBI’s covert spying, harassment and inciting of violence they then blame on the Left.
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After losing sight in 1983, John Hull began keeping an audio diary, a unique testimony of loss, rebirth and renewal, excavating the interior world of blindness. Following on from the Emmy Award-winning short film of the same name, Notes on Blindness is an ambitious and groundbreaking work, both affecting and innovative.
Set in Hokkaido, Japan in the 1880s. Jubei Kamata (Ken Watanabe), who is on the side of the Edo shogunate government, kills many people. His name is infamous in Kyoto. When the battle at Goryoukaku is about to be finished, Jubei disappears. 10 years later, Jubei lives with his kid in relative peace. He is barely able to make a living. Protecting his dead wife’s grave, Jubei has decided to never pick up a sword again, but due to poverty he has no choice but to pick the sword again. Jubei becomes a bounty hunter.
A whiplash thriller in the lean, mean TAKEN tradition from Howard J. Ford, Director/Co-Writer, of the past FrightFest favourites THE DEAD and THE DEAD 2: INDIA. Former FBI agent, now single mother Lisa Brennan, takes a holiday to escape an unhappy love affair and painful family memories. But in a heartbeat is not only faced with a daughter kidnapped by human traffickers, but also faces murder charges and must keep one step ahead of the foreign police. Fasten your seatbelts for spectacular twists, startling turns and breathless suspense in a jolt-a-minute journey no mother should go on!
When the top players of the Green Street Elite are imprisoned following a deadly battle with their archenemies Millwall every day becomes a fight for survival. On the inside, rival firms and prison guards will stop at nothing to make their lives a living hell, leaving the lads with no choice but to stand their ground and fight. Find out what happens when the two most fearsome and notorious firms
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Chase and Pam join the high school cheerleading squad in order to be cool and find out the team is infested with Vampires.
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MIDNIGHT SON is the story of Jacob, a young man confined to a life of isolation, due to a rare skin disorder that prevents him from being exposed to sunlight. His world opens up when he meets Mary, a local bartender, and falls in love. Tragically, Jacob’s actions become increasingly bizarre as he struggles to cope with the effects of his worsening condition. Forced by the disease to drink human blood for sustenance, he must control his increasingly violent tendencies as local law enforcement narrow their focus on him as a suspect in a series of grisly murders.
