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Candice longs to escape the boredom of her seaside town, but when a boy she dreams about turns up in real life, she becomes involved with a dangerous local gang.

Henry Frankenstein is a doctor who is trying to discover a way to make the dead walk. He succeeds and creates a monster that has to deal with living again.

Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.

Members of a family who quit the polluted, rubbish-strewn city of Beirut for an idyllic mountain home. However, their dreams of a utopian existence are shattered by the construction of a landfill on the boundary of their land.

In the near future, due to a breakthrough scientific discovery by Dr. Thomas Harbor, there is now definitive proof of an afterlife. While countless people have chosen suicide to reset their existence, others try to decide what it all means. Among them is Dr. Harbor’s son Will, who has arrived at his father’s isolated compound with a mysterious young woman named Isla. There, they discover the strange acolytes who help Dr. Harbor with his experiments.

Couple go to Nepal and gets caught in a snowstorm.

The story of a family troupe of English actors who travel around the towns and villages in India giving performances of Shakespearean plays. Through their travels we see the changing face of India as the old is replaced by the new, Maharajas become hotel owners, sports become more important than culture and the theater is replaced by Bollywood movies. Based on the travels of Geoffrey Kendal with his daughter Felicity Kendal.

JW is serving hard time in prison and struggling to get back on an honest path. There are glimmers of hope in his life – some venture capitalists are interested in a new piece of trading software he’s developed, and while behind bars he’s made peace with an old enemy. This all proves to be an illusion. On leave from prison, and back in contact with his former gang, JW learns that once you’ve walked in the shoes of a criminal there just may be no going back.

Lily is a museum curator who finds a painting that looks just like her. Lily’s search for the artist leads her to Ireland, where she meets William, a charming man who helps her on her quest and may also know more about the portrait’s origins than he’s letting on.

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Cleveland ‘Stack’ Stackhouse is a guard with the Texas Correctional Youth Authority who witnesses the cycle of destructive choices and racial tensions among female teen offenders and decides to do something about it. He gathers African-American, Latina and Caucasian teens, and organizes a multi-racial track team behind the bars of the prison. Participation in Stack’s track team not only breaks down the racial divides between the girls, but puts them on a path to turn their lives around.

Sent to live with his estranged father for the summer, a rebellious teen finds kinship in a tight-knit Philadelphia community of Black cowboys.