It is the year 2037. Our world is dying, slowly, from a virus that has rendered mankind infertile. Not a single child has been born in 25 years. Governments are now powerless puppets for the biggest corporations and Biocorp, the world’s biggest, keeps promising a cure that never comes
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Tony’s father Sam, abducted by aliens three years earlier, returns to earth and seeks out his wife and son, but Rachel has since been living with Joe and the reunion is awkward. Joe doesn’t trust Sam, and Rachel can’t quite decide what her feelings are for her two men. Sam is not the same as when he left, and he begins affecting Tony in frightening ways.
At eleven years old Joe Norman is told by his dying father that he is an alien hiding on earth. Joe believes him. He grows up to be a die-hard fan-boy working in a comic shop. When he falls for down-to-earth Maria, a fellow sci-fi fan, he is inspired to lead a more normal social existence. Until intergalactic bounty hunters track Joe down at his new office and the couple soon learn the dangerous truth about who Joe really is.
Originally a collection of clips from the Neon Genesis Evangelion TV series, Death was created as a precursor to the re-worked ending of the series. Rebirth was intended as that re-worked ending, but after production overruns Rebirth became only the first half of the first part of The End of Evangelion, with some minor differences.
Two couples are caught inside a bomb shelter as nuclear war rages outside.
In the near future, the President of the New United States of America hires a team of military veterans to retrieve an alien bio-weapon from a top secret research facility orbiting the Earth.
Danger Death Ray, the funniest of the cheesy spy films that MST had fun with. Former Tarzan Gordon Scott sucks in his gut for this one. Professor Carmichael has developed a death ray “for peaceful purposes only” but a vague group of bad guys want it instead, so he’s kidnapped by doughy guys and taken to their toy sub (via a toy helicopter)Bart Fargo must rescue him cause he’s the only American spy who looks good in womanly sunglasses. Cool music accompanies him as he searches for Carmichael while he must deal with evil Abe Lincolns, a fey bad guy tuned friend of Fargo’s and a couple of women who he must sleep with. In the end the ineffective bad guy gets killed, the professor and the death ray get rescued and Bart gets the woman. There’s also a complex scene with a watch thrown in a pool which symbolizes the amount of time that was wasted on smart screen writing for the movie.
Camp sci-fi thriller about space heroes battling (and, of course, becoming) vampires.
Four friends leave NYC for Catskill Park and hear something unearthly during their camping trip.
A young immigrant is shot down while illegally crossing the border. Terrified and in shock, wounded Aryan can now mysteriously levitate at will. Thrown into a refugee camp, he is smuggled out by Dr Stern, intent on exploiting his extraordinary secret. Pursued by enraged camp director Laszlo, the fugitives remain on the move in search of safety and money. Inspired by Aryan’s amazing powers, Stern takes a leap of faith in a world where miracles are trafficked for small change…
A scientist invents a time machine but his evil twin brother is after it and will go to any lengths to get the device in his hands.
Real estate agent John Dante has a problem. He’s stuck with a house he can’t sell. Despite his best efforts, he can’t seem to overcome the house’s past and the macabre tales that precede it in this haunting anthology. In the first story, THE MORNING AFTER, a group of friends wake up from the party of a lifetime to find a nightmare in the form of the worst bug invasion any homeowner has ever seen. Then there’s Freddie Cooper and his band, FREDDIE AND THE GOBLINS; a tale of how Freddie’s band mates try to kick him out and get caught up in the young singer’s growing psychosis. With his hopes of selling the house fading, John is horrified to hear the story of Robbie, a young veteran of the war in Iraq, who returns home to live with his father Brad in FATHER LAND. Something isn’t right, though, as Robbie’s dark secret slowly bubbles to the surface. As the house’s dark past comes to life, John becomes weary and is convinced the house is cursed and unsellable.
Lorraine believes there’s a lost portal to another world in Essex. As she explores time and space with her friends and family will she be proven wrong or be vindicated?
