In the subtropical province of Guizhou, Chen Sheng embarks on a journey to find his nephew.
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In the late 1960s, C’est Si Bon is the music bar where every acoustic band’s dream lies. There Geun-tae, a naïve country boy, meets the young musical prodigies Hyung-joo and Chang-sik, and forms the band named after it — the C’est Si Bon Trio. As the three young artists bicker over their music, beautiful socialite Ja-young enters the picture and becomes their muse, and a series of moving love songs come from it. Geun-tae’s pure-heartedness wins Ja-young over but when she accepts a once-in-lifetime opportunity for a shot at an acting career, they part ways. After 20 years, the untold story of their love, song, and youth at C’est Si Bon is finally brought to light.
In the late ’60s, the self-proclaimed belles of the rock ‘n’ roll ball, rocked the worlds of every music legend whose pants they could take off — and they have the pictures to prove it. But it’s been more than two decades since the Banger Sisters earned their nickname — or even laid eyes on each other. Their reunion is the collision of two women’s worlds; one who’s living in the past, and one who’s hiding from it. Together they learn to live in the moment.
A detainee at the U.S military’s Guantanamo Bay detention center is held without charges for over a decade and seeks help from a defense attorney for his release.
Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
After stealing a huge stash of drugs, speed freaks Hector and Dorena plan to cook up an enormous batch of crystal meth and get rich quick. Hector’s old buddy Merle has the perfect hideout/meth lab: an old, abandoned farmhouse in the woods where no one will ever find them. Unfortunately, no one will hear their screams either. Turns out, they may not be alone after all. It seems this farmhouse is the site of a horrific urban legend. Now, holed up together with nothing to do but snort, smoke and shoot up, the strung-out “cookers” fall prey to paranoia, private demons and terrifying visions which, whether they are hallucinations or hauntings, are equally terrifying and just as deadly!
Based on a true story, The Christmas Choir is the inspiring account of how one man can make a remarkable difference simply by giving of himself. Workaholic accountant Peter Andrews (Jason Gedrick) has overlooked Christmas, friends and even his fiance for far too long. As a result, his life begins to fall apart. But a chance encounter with a homeless man named Bob (Tyrone Benskin) changes everything and inspires Peter to start a choir that eventually goes on to enormous success. With the help of the unconventional Sister Agatha (Rhea Perlman) and his new found friends at the shelter, Peter learns that Christmas is not a season but a state of mind and that everyone deserves a second chance at life and love.
Colin is a stud. Stew, not so much. They’ve been virtually inseparable since college. But now Colin has fallen for a much younger man.
In 1988, American video game salesman Henk Rogers discovers the video game Tetris. When he sets out to bring the game to the world, he enters a dangerous web of lies and corruption behind the Iron Curtain.
In small town Tennessee, a ne’er-do-well man (Knoxville) wrestling for control over his fading golf club is reunited with his estranged daughter, a 14-year-old musical prodigy.
Anthony Keller, star of his NYC high school basketball team, is riding his way to Cornell on a sports scholarship. But he can only maintain his popular jock facade for so long, as his troubled father Lee has a gambling addiction that threatens to derail his dreams both on and off the court.