From Jane Austen’s novella, the beautiful and cunning Lady Susan Vernon visits the estate of her in-laws to wait out colorful rumors of her dalliances and to find husbands for herself and her daughter. Two young men, handsome Reginald DeCourcy and wealthy Sir James Martin, severely complicate her plans.
You May Also Like
A fourth grader and her friends deal with bullying from a more popular girl in their class.
The true story of Mamie Till Mobley’s relentless pursuit of justice for her 14 year old son, Emmett Till, who, in 1955, was lynched while visiting his cousins in Mississippi.
An African American male is imprisoned and placed in solitary confinement after being found guilty of murdering his wife, as he’s haunted by internal demons and his dead wife, and pushed to the breaking point by an abusive female guard.
A man arrives in the city upon news of a potential terrorist strike in Italy. He is Japanese foreign diplomat, Kosaku Kuroda, and he’s here under orders of his supervisor at the Foreign Ministry, Hiroshi Kataoka (Kiichi Nakai), to aid in the safeguarding of Japanese citizens. Kuroda’s main contacts at the Japanese embassy consist of Ambassador Kikuhara, Counselor Nishino, and fellow diplomatic envoys Haba and Tanimoto. All are busy preparing for the visit of Japanese Foreign Minister Kawagoe due to arrive for the high-profile G8 foreign minister’s meeting. Meanwhile, somewhere on the festively-lit streets of the city, a young Japanese girl has suddenly gone missing. Is it an abduction simply for ransom? Or could it be a prelude to terror?
Jane lives with her brother Chut with her being the only one doing everything around the house. But Chut will need to learn to take care of himself when Jane becomes involved romantically with a Japanese coworker.
A sensational, sentimental, and philosophical horror neo-noir that follows the still-at-large crimes of Noel, a repentant, classy and charming serial killer loose in the suburbs of New York.
A rock band gets stuck on a haunted farm while visiting its lead singer’s family.
Prem Prakash Tiwari (Ayushmann Khurrana) listening to Kumar Sanu is the film’s opening shot. Set in Haridwar, 1990s, the film captures the nascent feel of the town. Prem owns a cassette shop in the local market. His father is keen to get him hitched and the family goes to a local temple to meet Sandhya (Bhumi Pednekar). B.Ed, waiting for a teaching job, the most visible thing about her is her weight. Coming from a patriarchal cognitive set-up, she doesn’t fit the quintessential idea of beautiful. And still, the school drop out Prem must marry her because he is incapable of attaining a girl with ‘Juhi-Chawla-level-of-looks.’ In an elaborate community-wedding ceremony, Prem and Sandhya get married. Their wedding night is uncomfortable with neither treading towards establishing conjugal relations. Prem has in his own reasons and the girl is naturally shy. Next morning on a call, she announces it to a friend and the whole family finds out
Del is alone in the world. After the human race is wiped out, he lives in his small, empty town, content in his solitude and the utopia he’s methodically created for himself — until he is discovered by Grace, an interloper whose history and motives are obscure. And to make matters worse, she wants to stay.
Two homicide detectives are on a desperate hunt for a serial killer whose crimes are based on the “seven deadly sins” in this dark and haunting film that takes viewers from the tortured remains of one victim to the next. The seasoned Det. Sommerset researches each sin in an effort to get inside the killer’s mind, while his novice partner, Mills, scoffs at his efforts to unravel the case.
Tony Towers is a successful nightclub manager in 1985, a local celebrity and engaged to a much younger woman, Sue. But when he embarks upon the 3:17 to Nottingham for a Christmas family reunion, things get a little strange. Tony discovers that by moving up and down this fateful train, he can transport himself forward and backward to various stages of his life. Not only that, but the actions he takes in one carriage directly affect his life in the next. The question is, can Tony change his life – and the lives of the people he loves – for the better, or will he just make things worse?