Four truck stop prostitutes overthrow their pimp, and decide to take what they want by any means necessary.
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A township near Cape Town. Two young teens, Madiba and Sipho, find a gun and a camera. Sipho takes the gun, and Madiba the camera, sealing their fate.
After a harsh childhood, orphan Jane Eyre is hired by Edward Rochester, the brooding lord of a mysterious manor house to care for his young daughter.
From the bitter quest of the Queen of Longtrellis, to two mysterious sisters who provoke the passion of a king, to the King of Highhills obsessed with a giant Flea, these tales are inspired by the fairytales by Giambattista Basile.
Separation concerns the inner life of a woman during a period of breakdown – marital, and possibly mental. Her past and (possible?) future are revealed through a fragmented but brilliantly achieved and often humorous narrative, in which dreams and desires are as real as the ‘swinging’ London (complete with Procul Harum music and Mark Boyle light show) of the film’s setting.
Three years after his wife, acclaimed photographer Isabelle Reed, dies in a car crash, Gene keeps everyday life going with his shy teenage son, Conrad. A planned exhibition of Isabelle’s photographs prompts Gene’s older son, Jonah, to return to the house he grew up in – and for the first time in a very long time, the father and the two brothers are living under the same roof.
Set in a seaside resort in the Caucasus, the story centers on n’er do well, Laevsky (Andrew Scott) and his illicit relationship with his mistress Nadya (Fiona Glascott). Laevsky has convinced Nadya to leave her husband for him, but now wants to abandon her.
Meet Jack Foley, a smooth criminal who bends the law and is determined to make one last heist. Karen Sisco is a federal marshal who chooses all the right moves … and all the wrong guys. Now they’re willing to risk it all to find out if there’s more between them than just the law. Variety hails Out of Sight as “a sly, sexy, vastly entertaining film.”
A recent college graduate sets out to win back the girl of his dreams.
Will Bastion returns home from the army after an absence of 20 years to bury his father, the former chief of thee Maori tribe, Ngati Kaipuku. The eldest son, he is reluctant to inherit his fathers role, so it is taken more willingly by his younger brother, Kahu. Kahu is the leader of a band of drug dealers and trouble-makers who ride horses through the middle of town, wrecking peoples gardens. Under the guise of refusal of a land settlement, Kahu makes a large marijuana deal with some murdering city folk. Will must choose between loyalty for his brother and his father, Maori tradition, and contemporary financial issues.
Céline, 11, meets Peter, 40. Together they go on a “luminous journey” in his beautiful red truck. She, escaping her desperate and incestuous father; he, far from his native England and the sad memory of his lost wife and daughter. In the course of a few days, a few words, Céline experiences her first true moments of childhood and lightness, exhilaration and trust. Peter goes towards the last days of a life that he offers, like a sublime and aging angel, to this wounded child.
The story begins with Sekiuchi, boss of the Sannokai, a huge organized crime syndicate controlling the entire Kanto region, issuing a stern warning to his lieutenant Kato and right-hand man Ikemoto, head of the Ikemoto-gumi. Kato orders Ikemoto to bring the unassociated Murase-gumi gang in line, and he immediately passes the task on to his subordinate Otomo, who runs his own crew. The tricky jobs that no-one wants to do always end up in Otomo’s lap.
