Lot Lizards

When Jake LaMotta steps into a boxing ring and obliterates his opponent, he’s a prizefighter. But when he treats his family and friends the same way, he’s a ticking time bomb, ready to go off at any moment. Though LaMotta wants his family’s love, something always seems to come between them. Perhaps it’s his violent bouts of paranoia and jealousy. This kind of rage helped make him a champ, but in real life, he winds up in the ring alone.

Following a bomb scare in the 1960s that locked the Webers into their bomb shelter for 35 years, Adam now ventures forth into Los Angeles to obtain food and supplies for his family, and a non-mutant wife for himself.

Soo-myung and Seung-min, both 25 years old, meet for the first time at Soori Hope Hospital, a run-down psychiatric facility located on a mountain. Soo-myung has been institutionalized since he was nineteen after the trauma caused by his mother’s suicide, and has a phobia of scissors. Seung-min is sane and a champion paraglider, but was forcibly committed by his greedy half-brother to get Seung-min’s share of the family inheritance. Soo-myung is a model patient, peacefully and passively spending his days in the hospital despite its abusive nurses, unlike Seung-min, who is a walking time bomb. Soon, Soo-myung gets roped into Seung-min’s reckless plan to break out of the hospital.

A young woman, Tara Maguire (Robin Wright) scandalizes her provincial Irish village in the 1950s by having a baby out of a wedlock, and refusing to name the father. She has a rare beauty and every man in town desires her, especially Sergeant Hegarty (Albert Finney). The arrival of a dramatic troupe stirs things up even more, especially when she falls in love with one f the “Playboys”, Tom Casey (Aidan Quinn).

After she ends up in prison and loses custody of her son, a woman struggles to assimilate outside her former life and remain clean long enough to regain custody of her son.

Set in rural Arkansas in 1973, Come Morning is the tragic story of Frank and his 10-year-old grandson and the hunting accident that forever changes their lives.

Novella McClure is like most struggling actresses in Los Angeles: she’s in her early 30s, her fake name sounded cooler ten years ago, and she hasn’t landed a role in three years. To top it all off, she’s developed a disturbing habit of eating her own flesh. Novella desperately tries to hide her strange condition from her motherly landlord, Eesha, and somewhat psychopathic best friend, Candice, but her body and mind continue to deteriorate in the depressing world of failed auditions and sketchy night clubs. Can a romantic relationship with her psychiatrist prevent her from self destruction? Or will her fatal habit continue to eat away at her?

Cellat, the Turkish version of Death Wish, sticks fairly close plot wise to the template of the American film, with some scenes and bits of dialogue being almost identical. However, it also deviates from its inspiration at times and is at its most interesting and valuable in these little moments, providing lurid snapshots of a place and a culture.

Hailed as a masterpiece of 21st century dance, Akram Khan’s Giselle comes to cinemas for the first time with Artistic Director, Tamara Rojo, dancing the role of Giselle, one of a community of migrant workers cast out of their jobs in a condemned garment factory. The classic story of love, betrayal and redemption has been reimagined in this stunning new version, with sets and costumes by Academy-Award winning designer Tim Yip (Crouching Tiger Hidden Dragon), an ‘ominous, gothic’ (The Observer) adaptation of Adolphe Adam’s original score by composer Vincenzo Lamagna and performed by English National Ballet Philharmonic, dramaturgy from Ruth Little and lighting design from Tony Award-winner Mark Henderson. Filmed live at the Liverpool Empire in October 2017, Akram Khan’s Giselle is directed for the screen by Ross MacGibbon.

Raj and Priya are newly married. Priya is heavy with children, but due to unexpected circumstances, she loses her child and is unable to conceive again. Enter Madhoo, a prostitute who is willing to become surrogate mother for the couple. Their relationship becomes entangled with love triangle when Madhoo falls in love with Raj.

Two brothers love and loyalty to one another is tested by the code of the streets.

An 11-year-old boy struggles to cope with the death of his father while trying to make new friends in an unfamiliar place, after his mother gets a job transfer.