Kurt (Til Schweiger) and Lena (Franziska Machens) move together into an old house outside the city that is in need of renovation in order to be closer to Kurt’s six-year-old son, little Kurt (Levi Wolter), and ex-wife Jana (Jasmin Gerat). But before their patchwork family happiness can really begin, little Kurt is killed in an accident – leaving behind three adults who don’t know how to live with this tragic loss.
You May Also Like
An alienated and misanthropic teenager gains sudden and unwanted celebrity status after he’s taken hostage by terrorists where his indifference to their threats to kill him makes news headlines.
One summer, Dario flees the hellish environment of his home. Luismi, unconditional friend, a poor devil with pretensions of winning, and Antonia, an old woman who collects abandoned his motorcar furniture, become his new family. Three generations living together in a city too big to be alone.
After his father is killed in a car crash, Jack travels home to Colorado to help nurse his mother (who was injured in the crash) back to health. There, he uncovers long buried secrets and lies within his family, his friends, and his very identity.
Elena, a young Brazilian woman, travels to New York with the same dream as her mother, to become a movie actress. She leaves behind her childhood spent in hiding during the years of the military dictatorship. She also leaves Petra, her seven year old sister. Two decades later, Petra also becomes an actress and goes to New York in search of Elena. She only has a few clues about her: home movies, newspaper clippings, a diary and letters. At any moment Petra hopes to find Elena walking in the streets in a silk blouse. Gradually, the features of the two sisters are confused; we no longer know one from the other. When Petra finally finds Elena in an unexpected place, she has to learn to let her go.
Hilma af Klint (1862-1944) is an important part of art history and one of the first ever painters of abstract art. However, unlike the work of many of her peers at the time hers was misunderstood and neglected until long after her death. This is a story about Hilma and the circumstances which made her paintings possible. The film picks up during her early life and ends today; when her art connects with people of all religions and cultures. Just as she intended.
He thinks he’s a spaceman…they thinks he’s a killer – Peter goes on a journey to save the world, encountering the young fragile Lizzy who he saves from an awful fate, and finally finds his way home to reconcile with his father.
A young social outcast in Australia steals money from her parents to finance a vacation where she hopes to find happiness, and perhaps love.
The very sad tale of socialite & Warhol muse Edie Sedgwick (1943-1971) who effectively plays herself in a film that follows her life in a large part from the time she left Warhol’s ‘factory’ and what the life of excess drugs did to her sanity. Edie was such a beautiful fragile girl – who finally got her head together and got married (her wedding day video is edited into the end of the movie) but it was too late, her husband woke up on a morning in November 1971, only weeks after filming wrapped, and found her dead beside him. She had died in her sleep from overdosing on her medication she was 28.
Jenn buys an old reel-to-reel recorder at a garage sale only to find that it includes the sound of a man pleading for his life. When the former owner of the recorder, a retired therapist, is founded murdered in a patient’s apartment, Jenn’s investigation leads to other patients whose love lives are more entangled than she was first led to believe.
