A searing and timely look at the struggle against rampant discrimination in Nigeria today, as seen through the lens of several bold and charismatic, non-conformist youth who fight to live life out loud. Through social media, celebrity and creative expression, they spark a cultural debate that challenges the ideals of gender conformity and human rights in Nigeria.
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Babies, also known as Baby(ies) and Bébé(s), is a 2009 French documentary film by Thomas Balmès that follows four infants from birth to when they are one year old. The babies featured in the film are two from rural areas: Ponijao from Opuwo, Namibia, and Bayar from Bayanchandmani, Mongolia, as well as two from urban areas: Mari from Tokyo, Japan, and Hattie from San Francisco, USA.
What happens when a generation’s ultimate anti-authoritarians — punk rockers — become society’s ultimate authorities — dad’s? With a large chorus of Punk Rock’s leading men — Blink-182’s Mark Hoppus, Red Hot Chili Peppers’ Flea, Rise Against’s Tim McIlrath — The Other F Word follows Jim Lindberg, 20-year veteran of skate punk band, Pennywise, on his hysterical and moving journey from belting his band’s anthem, ‘Fuck Authority’, to embracing his ultimately pivotal authoritarian role in mid-life, fatherhood.
Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.
A searing account of what happens when raw talent and extreme personalities collide. In this unflinching, never-before-seen account of drugs and the dark side of professional skateboarding, brothers Tas and Ben Pappas’ intense bond and charisma take them from the pinnacle of their sport into a spiraling world of self-destruction.
Drawing from 40 years’ worth of film footage and tape recordings her father sent to family members in India, filmmaker Sandhya Suri crafts a personal history that also explores the experiences of Indian expatriates. After moving to Great Britain in 1965, Yash Pal Suri chronicled his discoveries about his new home along with his feelings of alienation. The fruits of his labor appear in this film that received a Grand Jury Prize nod at Sundance.
Forget about nuclear missiles, the decisive weapon of the twentieth century is the car bomb. After Iraq we now know you can defeat a Superpower, start a civil war or just blow up your own Government with a trunk load of home-made explosives and a battered old car. From the Middle East, Oklahoma, Ireland and the streets of the City of London the car bomb has shaped human conflict. Even today the car bomb remains the number one terrorist threat across the world. In this film, ex-CIA agent Robert Baer uncovers the history of this extraordinary weapon. With footage of car bomb attacks and interviews with car bombers, Baer reveals how the century of the car turned into the century of the car bomb. And how a dream of freedom turned nightmare.
The making of a serious, Canadian art house film descends into Hollywood farce when its producer is forced to compromise his vision to accommodate his drug-addled star, his leading lady and his venal backers.
A Syrian radio DJ documents the experiences of herself and her friends as their dreams of overthrowing their elected government give way to the grim realities of sectarian death squads and extremism.
This exhilarating rock ‘n’ roll road movie follows The Rolling Stones on their 2016 tour of Latin America, climaxing with their historic concert in Havana, Cuba.
Simon debates whether to end his life after being diagnosed with motor neurone disease.
It’s 2017 in Bisbee, Arizona, an old copper-mining town just miles from the Mexican border. The town’s close-knit community prepares to commemorate the 100th anniversary of Bisbee’s darkest hour: the infamous Bisbee Deportation of 1917, during which 1,200 striking miners were violently taken from their homes, banished to the middle of the desert, and left to die. Townspeople confront this violent, misunderstood past by staging dramatic recreations of the escalating strike. These dramatized scenes are based on subjective versions of the story and “directed,” in a sense, by residents with conflicting views of the event. Deeply personal segments torn from family history build toward a massive restaging of the deportation itself on the exact day of its 100th anniversary.