The basic story of the movie revolves around P.K. Jayan aka ‘Vattu’ Jayan (played by Indrajith) and Roy Joseph aka Che Guevera Roy (played by Murali Gopy). Vattu Jayan is a corrupt cop who manages his daily necessities through bribed money and does not touch his salary for anything. Che Guevara Roy is an ex-communist comrade who now teaches in a school with his wife.
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A young man involved in a love affair that will change his life forever, whilst his lover wrestles his demons on a journey that will force him to come to terms with his sexuality, leaving lives destroyed in the wake.
A woman vanishes. Her husband inquires into the strange circumstances of her disappearance. Did she leave him? Is she dead? As he goes along searching, he plunges into a world of nightmare and violence…
In the suburbs of Tokyo some time ago, there lived a clumsy boy about 10 years old. There appeared in front of him named Sewashi, Nobita’s descendant of four generations later from the 22nd century, and Doraemon, a 22nd century cat-type caretaker robot who helps people with its secret gadgets. Sewashi claims that his family is suffering from the debts Nobita made even to his generation, so in order to change this disastrous future, he brought along Doraemon as Nobita’s caretaker to bring happiness to his future, although Doraemon is not happy about this. And so Sewashi installed an accomplishment program into Doraemon forcing him to take care of Nobita. Unless he makes Nobita happy, Doraemon can no longer go back to the 22nd century. This is how the life of Doraemon and Nobita begins. Will Doraemon succeed this mission and return to the 22nd century?
At the beginning of a nightly Alcoholics Anonymous meeting, Jim seems particularly troubled. His sponsor encourages him to talk that night, the first time in seven months, so he does – and leaves the meeting right after. As Jim wanders the night, searching for some solace in his old stomping grounds, bars and parks where he bought drugs, the meeting goes on, and we hear the stories of survivors and addicts – some, like Louis, who claim to have wandered in looking for choir practice, who don’t call themselves alcoholic, and others, like Joseph, whose drinking almost caused the death of his child – as they talk about their lives at the meeting
A film about a trio of misfits whose irreverent, sexually charged dynamic evolves into a surprising love story as their spontaneous and flippant attitude towards the past or future backfires time and again, even as they inadvertently perform good deeds. When they make enemies with a gun-toting hairdresser, their journey becomes one of constant escape from the law, from society and from the hairdresser, all while the bonds of their outsider family strengthen.
Lance Reed is forced by a psychotic stranger to confront his duplicitous past. Seeking retribution for a crime, the man forces Lance to reveal his inner most secrets by systematically removing his limbs.
Forced to work an extra shift, two young baristas must come to terms with their own relationship while being bombarded by the very different issues of their diverse customers.
Julie is haunted by her grief after living through a tragic auto wreck that claimed the life of her composer husband and young daughter. Her initial reaction is to withdraw from her relationships, lock herself in her apartment and suppress her pain. But avoiding human interactions on the bustling streets of Paris proves impossible, and she eventually meets up with Olivier, an old friend who harbors a secret love for her, and who could draw her back to reality.
A massive 5 1/2 hour biopic of Napoleon, tracing his career from his schooldays (where a snowball fight is staged like a military campaign), his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797 (the film stops there because it was intended to be part one of six, but director Abel Gance never raised the money to make the other five). The film’s legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.
Ji-so, a young girl who doesn’t have a house because of her bankrupted dad. In order to get money to buy a house she plan to steals wealthy people’s dogs to earn reward money when she returns them.
On the afternoon of August 3, 2013, 16-year-old Hannah Anderson was abducted after finishing cheerleading practice in a San Diego suburb. When the bodies of her mother and brother were found in the burned home of family friend James DiMaggio later that day, an AMBER Alert was issued, and a frantic multi-state manhunt for Hannah began. For a week she was kept prisoner by the increasingly unstable DiMaggio as they made their way across the state. One week later, the two were found in Idaho and DiMaggio was killed in a shootout with FBI agents, leaving Hannah as the sole survivor. As the dust settled, questions began to emerge about the nature of the relationship between Hannah and her kidnapper…and what really happened?