Nick and Meg Burrows return to Paris, the city where they honeymooned, to celebrate their 30th wedding anniversary and rediscover some romance in their long-lived marriage. The film follows the couple as long-established tensions in their marriage break out in humorous and often painful ways.
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When a woman tries to outwit her husband’s sexy young mistress, the unexpected consequences include starring as King Lear in a very amateur production – with the mistress, an aspiring actress, playing The Fool.
It’s a dreary Christmas 1944 for the American POWs in Stalag 17. For the men in Barracks 4, all sergeants, have to deal with a grave problem – there seems to be a security leak. The Germans always seem to be forewarned about escapes and in the most recent attempt the two men, Manfredi and Johnson, walked straight into a trap and were killed. For some in Barracks 4, especially the loud-mouthed Duke, the leaker is obvious: J.J. Sefton, a wheeler-dealer who doesn’t hesitate to trade with the guards and who has acquired goods and privileges that no other prisoner seems to have. Sefton denies giving the Germans any information and makes it quite clear that he has no intention of ever trying to escape. He plans to ride out the war in what little comfort he can arrange, but it doesn’t extend to spying for the Germans.
A painter from the big city goes to a remote canyon to commit suicide. To reach some calmness he stays at the farmstead of Ascen, an old religious woman. Although only a few words are spoken, love grows.
Craig Ferguson unleashes his trademark stream-of-consciousness comedy before a sold-out crowd, riffing on fatherhood, Helen of Troy and shark penises. His show’s not safe for kids — or the easily offended.
During the trial of a man accused of his father’s murder, a lone juror takes a stand against the guilty verdict handed down by the others as a result of their preconceptions and prejudices. The film is adapted by Reginald Rose from his own 1957 film version (directed by Sidney Lumet) and from the Westinghouse One television production that predated it. George C. Scott won a Golden Globe for his supporting role; righteous juror Jack Lemmon was denied such an honor for Best Actor, but recipient Ving Rhames (for Don King) dedicated his award to Lemmon.
This is a coming-of-age story of friendship, parenting, growing up and finding yourself. A 17-year-old boy’s relationship with his parents is tested as he discovers teenage rebellion and fun in the company of a cool but troubled 19-year-old girl who shakes things up giving him the courage to be true to himself.
A guy’s life is turned around by an email, which includes the names of everyone he’s had sex with and ever will have sex with. His situation gets worse when he encounters a femme fatale (Ryder) who targets men guilty of sex crime.
Trailer Park Boys: Don’t Legalize It is the third film in the Trailer Park Boys franchise, and a sequel to Trailer Park Boys: Countdown to Liquor Day (2009). In the film, Ricky (Robb Wells), Julian (John Paul Tremblay) and Bubbles (Mike Smith) attempt a series of get-rich-quick schemes after being released from prison, but are again pursued by former Sunnyvale Trailer Park supervisor Jim Lahey (John Dunsworth).
Furious that her late father only willed her his gloomy-looking mansion rather than his millions, Carrigan Crittenden is ready to burn the place to the ground when she discovers a map to a treasure hidden in the house. But when she enters the rickety mansion to seek her claim, she is frightened away by a wicked wave of ghosts. Determined to get her hands on this hidden fortune, she hires afterlife therapist Dr. James Harvey to exorcise the ghosts from the mansion. Harvey and his daughter Kat move in, and soon Kat meets Casper, the ghost of a young boy who’s “the friendliest ghost you know.” But not so friendly are Casper’s uncles–Stretch, Fatso and Stinkie–who are determined to drive all “fleshies” away.
Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, Mateo Blanco, and directing his last movie.
Everyone deserves a chance to follow their dreams, but some people only get one shot. Tyler Gage is a rebel from the wrong side of Baltimore’s tracks and the only thing that stands between him and an unfulfilled life are his dreams of one day making it out of there. Nora is a privileged ballet dancer attending Baltimore’s ultra-elite Maryland School of the Arts
