In Michelangelo Antonioni’s classic of Italian cinema, two lovely young women, Claudia and Anna, join the latter’s lover, Sandro, on a boat trip to a remote volcanic island. When Anna goes missing, an extensive search is launched. In the meantime, Sandro and Claudia become involved in a romance despite Anna’s disappearance, though the relationship suffers from the guilt and tension brought about by the looming mystery.
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Dead bodies are piling up, and the leads the two LA homicide cops have point to Barbara, business manager for a successful architectural firm she runs with her husband Lance. The dead men were interns at the firm, and each of them was Barbara’s lover (kept in a classy flat she owns and observed via closed-circuit TV by the applauding Lance). Kyle is Barbara’s latest intern and lover, and he may be in danger. He also starts to fall in love with Barbara, and the feeling may be mutual. In the background are Erin, Lance and Barbara’s myopic administrative assistant, and Tony, Kyle’s one-time roommate who also knows Barbara. Can the cops solve this before too many more die?
In his Scottish New Town home, gangling Gregory and his schoolfriends are starting to find out about girls. He fancies Dorothy, not least because she has got into the football team – and is a better player than him. He finally asks her out, but it is obviously the females in control of matters here, and that very much includes Gregory’s younger sister.
Eric movies in with his father, a man he barely knows, and they have trouble bonding until Maria takes Eric under her wing.
Henry and Nicky are small town pals from blue collar families with only a short time before they ship off to World War II. Henry begins romancing new-to-town Caddie Winger, believing her to be wealthy. Mischievious and irresponsible, Nicky gets into trouble which forces the other two to become involved, testing their relationship, as well as the friendship between the boys.
Sin Ruta is a two-way narrative attempting to open up the discussion on illegal migration across two worlds and reflect on social issues in smaller countries. Teo is a gay musician from the southeastern region of Guatemala, who longs to go to America. On his way to Mexico he is brutally attacked after a group of men discover he’s gay and ends up in the hospital of a small town. There he meets Ray, an American doctor, who abandoned his country after accidentally killing one of his patients. The fate of each of the characters is altered after they meet, challenging their beliefs about the ideal country and questioning their decisions for fleeing. While Teo wonders whether things will actually be better for him in the US, Ray finds himself having to flee once again after almost killing another patient.
Reality movie of a few days in the life of a Czechoslovak teenager when he starts work.
When their father passes away, four grown, world-weary siblings return to their childhood home and are requested — with an admonition — to stay there together for a week, along with their free-speaking mother and a collection of spouses, exes and might-have-beens. As the brothers and sisters re-examine their shared history and the status of each tattered relationship among those who know and love them best, they reconnect in hysterically funny and emotionally significant ways.
A coming-of-age story of a teenage girl from a liberal upbringing who moves to a conservative baptist community in rural 1950s America.
A pregnant doctor’s life is made hell by the deranged patient to whom she gave a hysterectomy, without the patient’s consent.
Derrick De Marney finds himself in a 39 Steps situation when he is wrongly accused of murder. While a fugitive from the law, De Marney is helped by heroine Nova Pilbeam, who three years earlier had played the adolescent kidnap victim in Hitchcock’s The Man Who Knew Too Much. The obligatory “fish out of water” scene, in which the principals are briefly slowed down by a banal everyday event, occurs during a child’s birthday party. The actual villain, whose identity is never in doubt (Hitchcock made thrillers, not mysteries) is played by George Curzon, who suffers from a twitching eye. Curzon’s revelation during an elaborate nightclub sequence is a Hitchcockian tour de force, the sort of virtuoso sequence taken for granted in these days of flexible cameras and computer enhancement, but which in 1937 took a great deal of time, patience and talent to pull off. Released in the US as The Girl Was Young, Young and Innocent was based on a novel by Josephine Tey.