A chance meeting at the airport leads two married people to an unforgettable night full of excitement, desire, and temptation in New York City.
You May Also Like
American-born Ray Rehman comes home one night to find his Pakistani father on his doorstep. Ray’s Caucasian mother threw him out. It’s an awkward time for his father to move in as Ray just proposed to his Caucasian girlfriend – who hasn’t given him an answer. While trying to get his parents back together, Ray meets a South Asian girl of mixed descent, just like him, and must decide where his identity truly lies.
There are three stories of women and men: in “A Time for Love” set in 1966, a soldier searches for a young woman he met one afternoon playing pool; “A Time for Freedom,” set in a bordello in 1911, revolves around a singer’s longing to escape her surroundings; in “A Time for Youth” set in 2005 Taipei, a triangle in which a singer has an affair with a photographer while her partner suffers is dramatized. In the first two stories, letters are crucial to the outcome; in the third, it’s cell-phone calls, text messages, and a computer file. Over the years between the tales, as sexual intimacy becomes more likely and words more free, communication recedes.
A German soldier home on leave falls in love with a girl, then returns to World War II.
Carlos lives in a boarding school in the centre of Bogotá and longs to spend Christmas with his family. The circumstances around him force him to assume the male stereotype, in open contradiction to his true being. In private, Carlos acknowledges his sensitivity, his fragility and moves towards other forms of masculinity. At his 16 years of age, Carlos explores his sexual identity, discovers his fears, his desires, and all the things that real men never show.
“In re-viewing our Super 8 films, shot between 1972 and 1981, it occurred to me that they comprised not only a family archive but a testimony to the pastimes, lifestyle and aspirations of a social class in the decade after 1968. I wanted to incorporate these silent images into a story which combined the intimate with the social and with history, to convey the taste and colour of those years.” Annie Ernaux
A once accomplished sculptor, a former college art teacher, but now a lonely graveyard shift doorman, Abner Roth is sadly a mere shadow of his former self. Having lost the love of his life and haunted by the death of a woman in a terrible car accident a year ago, he is desolate and suicidal but amusingly so. Step in Zoe, a free spirited taxi driver with a large hart and persuasive disposition. Zoe’s energy and outlook help Abner look at life anew and try to reconcile his conflicted past.
Satan Said Dance is an Instagram film in times of the selfie. A kaleidoscope of moments from life of Karolina – a scandalous writer obsessed with parties, drugs, sexuality and complex relationships, on her way to self-destruction.
A cop (Matthew McConaughey) who moonlights as a hit man agrees to kill the hated mother of a desperate drug dealer (Emile Hirsch) in exchange for a tumble with the young man’s virginal sister (Juno Temple).
Lam Kwok Kuen, nearing retirement and raising a mentally challenged son by himself, is a police officer whose sole requirement on the job is oversee the department fleet. Despite this, he remains active in the front line of police service, putting his life on the line for the sake of others, his heroism bettering even the most seasoned professionals. He fights the bad guys, putting criminals behind bars, upholding the law at any cost, for as his adage proclaims, to live a day surmounts to pursuing justice relentlessly, whether life or death proceeds in its aftermath.
An awkward young teen working at a spa becomes overly attached to her fellow worker, a lonely outcast. They hang out at a bar owned by a strange pregnant artist and her has-been cowboy husband. Amid emotional crises, the three woman steal and trade one another’s personalities.
