Valeria’s joy at becoming a first-time mother is quickly taken away when she’s cursed by a sinister entity. As danger closes in, she’s forced deeper into a chilling world of dark magic that threatens to consume her.
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A lurid fantasy of wounded flesh and accursed lives that entwine and separate in a building run by a landlord (Simon Yam), who seeks to find a particular type of tenant for the property he inherits from his relatives. Driven by his desire of peeping into the darkest aspects of human nature, what he sees through the eyes of the omnipresent cameras ain’t pretty… but it gives him the wry, abject satisfaction of a dark god lording over and leering at the souls of the damned, his imagination hungering toward them.
Negative is set in the American southwest and follows Natalie, a former British spy who flees Los Angeles for Phoenix after a deal with a cartel goes wrong. She’s joined by Hollis, a street photographer who has put his life at risk by taking Natalie’s photo at the wrong time and in the wrong place.
Joseph Harris, a legendary but troubled playwright, comes to a small Michigan town at Christmastime to mount his latest play. Greeting the cynical New Yorker is a young, aspiring writer who challenges his literary hero to be the icon he’d hoped for. Harris wants no part of Michigan or its small-town theater, and he has no interest in being the young man’s hero. As soon as he arrives, Harris makes plans to return to New York on the next train out. Desperate and scrambling to keep him in town, the young man must face his hero and explore the tangled relationship between the dreams of youth and the wisdom of age.
On the way home from an art gallery featuring her work, a talented artist, Ali, her husband and their young child get into a car accident. The woman’s husband and child die on impact, while the woman survives, but loses her eyesight. At her doctor’s suggestion, Ali hires a caretaker named Jeff to help her adjust to life as a blind woman, and upon returning home, Jeff’s aid proves to be indispensable in helping her acclimate; Ali even meets and quickly befriends her new neighbor, Linda. It is soon apparent, however, that Jeff is becoming increasingly possessive and jealous of Ali, and his obsession rapidly turns violent when Ali decides she needs less of his assistance because she is ready to resume living independently. Unsurprisingly, Jeff does not take the request well, and Ali is soon forced to use her remaining senses to fight for her life.
Samao Daikoku’s (Shota Sometani) family register was taken which keeps him from escaping the underground life that he has led. To get away once and for all, Samao Daikoku breaks into Daikichi Ebisu’s (Kiyohiko Shibukawa) coin locker to steal gold. Daikichi Ebisu is involved in a criminal organization. In the locker, Samao Daikoku finds a hard disk containing personal information on runaways, homeless people, bankrupt people and prostitutes. He hides the hard disk, but is locked up by Daikichi Ebisu. There, he sees a prostitute, Ami Nanmu (Erina Mizuno) and he also faces an evil gang boss, Kan Senju (Gou Ayano). Samao Daikoku is tortured by the gang boss. The mystery behind Samao Daikoku’s past is revealed.
In the year 2022, a ruthless prison warden has created the ultimate solution for his most troublesome and violent inmates: Absolom, a secret jungle island where prisoners are abandoned and left to die. But Marine Captain John Robbins, convicted of murdering a commanding officer, is determined to escape the island in order to reveal the truth behind his murderous actions and clear his name.
Faced with numerous obstacles and pressure to exceed her Mums expectations, 12-year-old Liverpudlian tomboy Aliza tries her best to raise money to save her fathers dance studio from permanent closure. While adapting to new London inner-city life, Aliza finds comfort in Teon, a shy, charming boy who lives in her block of flats and finds a new rival in national sweetheart and triple threat, Sophie Wallis. This coming of age tale depicts the story of being more than your surroundings with song, dance and grit taking centre stage.
All Cassie Nightingale wants for her birthday is for her family and friends to be together. While her husband Jake suggests an intimate dinner at a fancy restaurant in their hometown of Middleton, Cassie would rather have a party at The Grey House, with all her loved ones in attendance. And since Jake’s kids, Brandon and Lori, are growing up with lives of their own, it might be their last chance to unite as a family for a long time. As Cassie’s special day is fast approaching, Lori discovers disturbing parallels between Cassie and Cassie’s great aunt, nicknamed the Grey Lady, who disappeared at her own birthday party years before. With signs of a curse looming over her, it’s clear that Cassie needs to conjure up more than a little magic to make things right again. Is there birthday magic in the air or is it a birthday curse?
The beauty transgender Erika arrives in an old house in the country during a stormy night. She is escaping from her violent boyfriend. At first Erika find peace, but day by day strange things begin to happen: voices, shadows – And a man of the nearest village says to Erika that the house is known in the village as “The house of murderers” since the Second World War.
When Ivan’s old college roommate comes to visit him in Colombia, he brings his brother and a whole lot of romantic complications.
Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.
