Mathieu, a member of the French institute in Irkutsk, is arrested overnight by the Russian authorities. Imprisoned and accused of sexual abuse on his own daughter, he realises he is a victim of a Kompromat. With the help of the FSB, someone has built up a case to frame him. Isolated, he has no one to turn to. Proving his innocence is impossible: the only solution is to escape.
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Poet Yusuf (35-38) returns to his childhood hometown, which he hadn’t visited for years, upon his mother’s death. He is faced with a neglected, crumbling house. Ayla, a young girl (17-19) awaits him there. Yusuf has been unaware of the existence of this distant relation who had been living with his mother for five years; He stays by his dead mother’s bedside for a while on the morning of his return…
Teenager Owen is just trying to make it through life in the suburbs when his classmate Maddy introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.
For Gwen, it’s always 1999. The face in the mirror is unfamiliar and her partner isn’t recognizable to her despite waking up together every day. Joe’s past is coming undone and his partner, Sarah, fears she will be forgotten. A doctor refuses to give up on them, determined not to let them unravel.
Dr. Caine, the murdering dentist from the original movie, has escaped from the mental hospital where he has been since being caught. Hoping to resume a normal life, he makes his way to a quiet Midwestern town under a false name and takes on the responsibilities of the town dentist Things are starting to look up for Caine, until the day when he catches his new love in the arms of someone else. Just as in the first movie, this sends him back over the edge and into another homicidal rampage, with his unfortunate patients bearing the brunt of his hostility.
“ALONE” tells the story of Pim who moved from Thailand to Korea to escape the guilt of being the surviving half of a conjoined twin. Flashbacks to Pim’s childhood show how the bittersweet relationship with her sister, and their commitment to stay together forever, transforms into a repressive bond that ultimately leads to a separation. After she returns to visit her dying mother, the spirit of her dead sister angrily thrusts herself into Pim’s life.
Set during the true and unconscionable Central Intelligence Agency MK ULTRA drug experimentations in the early 1960s. The journey of Ford Strauss, a brilliant psychiatrist, whose moral and scientific boundaries are pushed to the limit as he is recruited to run a subsect of the program in a rural Mississippi Mental Hospital.
In 1961, a 60 year old taxi driver stole Goya’s portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery’s history. What happened next became the stuff of legend.
Single mum Flora is at a loss about what to do with her rebellious teenage son, Max. Her efforts to keep him out of trouble lead to a beat-up acoustic guitar, a washed-up LA musician, and harmony for this frayed Dublin family.
On the eve of departing overseas Ellen makes the fateful decision to gift her boyfriend a new girlfriend.
Damon Runyon’s fairytale, sweet and funny, is told by director Frank Capra. Boozy, brassy Apple Annie, a beggar with a basket of apples, is as much as part of downtown New York as old Broadway itself. Bootlegger Dave the Dude is a sucker for her apples — he thinks they bring him luck. But Dave and girlfriend Queenie Martin need a lot more than luck when it turns out that Annie is in a jam and only they can help: Annie’s daughter Louise, who has lived all her life in a Spanish convent, is coming to America with a Count and his son. The count’s son wants to marry Louise, who thinks her mother is part of New York society. It’s up to Dave and Queenie and their Runyonesque cronies to turn Annie into a lady and convince the Count and his son that they are hobnobbing with New York’s elite.