Two lovers, Nikki and Al, have a scam in which Nikki allows herself to be picked up by older men, drugs them, and, with Al’s help, robs them. After accidentally killing one of her victims with an overdose, Nikki and Al are on the run.
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Brooks Caldwell, (Cary Elwes) an erudite and handsome lawyer, seems to have it all: wealth, social status and a red hot career. His success is, in reality, a product of his marriage to his beautiful, socialite wife, Amanda, (Terri Polo) a wealthy timber heiress. Unlike most, who would remain content to enjoy a life of luxury and privilege, Brooks continues to risk everything by having extramarital affairs. Brooks’ philandering, in addition to humiliating Amanda, has driven her to the point of a mental breakdown. Having been pushed over the edge, Amanda orchestrates a just and elaborate plan to bring her husband down. When Brooks leaves for a weekend romp with his latest squeeze, (Agnes Bruckner) his life quickly descends into a bizarre, nightmarish, downward spiral.
Dean Randall has sponsored a young Chinese orphan Mei Mei for many years, when she arrives in Sydney out of the blue to thank him, their lives are changed forever.
Deadpool sees an opportunity to save the day, but it doesn’t go entirely as planned.
Harassed by classmates who won’t accept his shocking appearance, a shy young man known as “Powder” struggles to fit in. But the cruel taunts stop when Powder displays a mysterious power that allows him to do incredible things. This phenomenon changes the lives of all those around him in ways they never could have imagined.
A magazine editor’s life and career, simultaneously begin to unravel, after she takes on a new assistant, with secret motives of his own.
Jamie (Taylor Olson) works a wood processor, clear-cutting for pulp in small-town Nova Scotia. At the end of each shift, he walks through the destruction he has created looking for injured animals and rescues those he can. Adapted from a play by Nova Scotian author Catherine Banks, Bone Cage is an impressive first feature from Halifax actor/filmmaker Taylor Olson that sensitively excavates the tragedy of how young people in rural communities, employed in the destruction of their environment, treat the people they love at the end of their shift.
Over the course of one night, a whirlwind romance between a drug dealer and an underground singer takes them both on a collision course with a dangerous new mind-control drug. As the couple’s wild night takes them through the Los Angeles underground, they discover that each of them is hiding a secret from the other and that one of them will die before the sun rises.
Two men in a gay men’s rugby club must conceal an adulterous affair they unwittingly fall into before it leads to the collapse of the delicate social and political fabric of the club.
Life for a single mom in Los Angeles takes an unexpected turn when she allows three young guys to move in with her.
A divorcee’s love for her missing ex-husband pulls her into a small town crime ring when the sheriff refuses to search for him.
The wife of a pastor who preaches against homosexuality embarks on an affair with a female writer.
When stricken with a terminal disease, Young-su leaves his careless high life in the city, live-in girlfriend and dwindling business. He retreats to a sanatorium in the countryside in order to treat his illness, where he meets a young woman who is a resident patient there. Soon they develop feelings for each other and leave the sanatorium together to live in a small but cozy farm house. Their health improves dramatically but when Young-su’s friends from the city come for a visit, he starts to wonder if he should abandon mundane rural village and return to his former lifestyle.
