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The story of Queen Elizabeth II from those who know her best.
David Attenborough and scientist Johan Rockström examine Earth’s biodiversity collapse and how this crisis can still be averted.
Framed against the backdrop of Arsenal’s historic “Invincible” season of 2003-04, the first and only occasion a team has gone an entire Premier League campaign without defeat, the film sees Wenger reflect candidly on his revolutionary era at Arsenal and the emotional and personal turmoil that surrounded his controversial exit after 22 years.
Unprecedented access to Muhammad Ali’s personal archive of “audio journals” as well as interviews and testimonials from his inner circle of family and friends are used to tell the legend’s life story.
In January 2016, businesswoman Sadie Hartley was brutally stabbed to death in her own home. This film follows Lancashire Police as they investigate the case from the call-out to the murder scene to the trial of the two female suspects.
Pauly Shore Stands Alone is a true-life road documentary. The camera follows Pauly on a snowy mid-western comedy club tour, while Pauly deals with moving his ailing mother, Mitzi Shore, out of her West Hollywood mansion of 40 years.
A look at the aftermath of the Sandy Hook massacre where 20 children were murdered at school by a crazed gunman, but lead to no changes in American gun laws.
Actor Stephen Tobolowsky has acted in over 200 TV shows and films over the past 40 years, possessing one of the most dazzlingly diverse filmographies on the planet. But even more compelling than the stories he’s been apart of onscreen are those he tells offscreen. In ‘The Primary Instinct,’ Stephen plays himself and uses the art of storytelling to take the audience through a riveting and moving journey about life, love, and Hollywood. Along the way, he just may answer one of the questions that’s dogged humanity since the beginning of time: Why do we tell stories in the first place?
Actor and writer Mark Gatiss embarks on a chilling journey through European horror cinema, from the silent nightmares of German Expressionism in the 1920s to the Belgian lesbian vampires in the 1970s, from the black-gloved killers of Italian bloody giallo cinema to the ghosts of the Spanish Civil War, and finally reveals how Europe’s turbulent 20th century forged its ground-breaking horror tradition.
Ken Loach’s 2013 documentary about social change in Britain in the aftermath of the Second World War, including the nationalisation of industries and the formation of the welfare state. Made almost entirely in black & white, so B&W archive footage from the 1940s blend in with interviews made today.
The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.
Juninho, Menor, Neguinho, Adilson and Eldo are young residents of the Bairro Nacional, outskirts of Contagem, in Minas Gerais, Brazil. Divided between work and fun, crime and hope, each will have to find ways of overcoming difficulties and taming the tiger inside their veins.
