Jompa Tormann is back, and everything is better, except the humor, which is even worse than in the first movie of vengeance.
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Phil Schreiber, a self-involved hedge fund manager living in New York City, escapes to the Hamptons with his wife and son at the beginning of the COVID-19 pandemic. Making an already fraught situation worse is the surprise arrival of Phil’s college roommate Charlie, an exemplar of Falstaffian excess. As Charlie makes himself at home, secrets are revealed that threaten to do more harm than the virus they’re all trying to avoid.
Rock Hudson is Roger Willoughby, a renowned fishing expert, who, unbeknownst to his friends, co-workers, or boss, has never cast a line in his life. One day, he crosses paths with Abigail Paige (Paula Prentiss), a sweetly annoying girl who has just badgered his boss into signing Roger up for an annual fishing tournament.
A young woman begins to live life to the fullest when she receives a diagnosis of cancer.
School girl Annabel is hassled by her mother, and Mrs. Andrews is annoyed with her daughter, Annabel. They both think that the other has an easy life. On a normal Friday morning, both complain about each other and wish they could have the easy life of their daughter/mother for just one day and their wishes come true as a bit of magic puts Annabel in Mrs. Andrews’ body and vice versa. They both have a Freaky Friday.
When an overconfident teen alien gets behind the controls of a spaceship, he must attempt to abduct a slumbering farmer under the watchful eye of a critical instructor. But abducting humans requires precision and a gentle touch, and within a few missteps it’s painfully clear why more humans don’t go missing every year.
This darkly comedic drama follows the erotic exploits of Jonathan Barrows, a narcissistic college professor whose sexual fascination with his own body leads him to down a path of increasingly disturbed behavior. Forsaking priests and others who lust for him, Barrows soon pays a high price for his excessive self-love.
Joe just told his boyfriend, George, that he is a serial killer. George thinks that his boyfriend, Joe, is hilarious… and he just saw Patricia Arquette at Target!!! In the horror/comedy hybrid, ‘You’re Killing Me’, we take a look at the life and death consequences of dating in the age of incessant chatter. Joe and George meet just as Joe is coming out to himself as someone who loves to kill. George, on the other hand, can’t decide which wig to wear for his next YouTube video. As George’s friends start disappearing, one by one, he must face the undeniable fact that Gretchen might not be coming back with crushed ice for his party #YouDontNeedIceForChardonnay.
Wah and Kinki both working at the same department of a computer company. Both of them are not getting on very well initially, but friendship develops when they get to know each other after a while. When Wah starts to realize his emergent fondness for Kinki, his ex-girlfriend reappears and plans to gain back his affection. In addition, he notices that his ex-girlfriend arranges a guy to pair up with Kinki. At the same time, his supervisor would like to lay him off at work.
Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city. As in El sol (2010), the second feature of the animator Ayar Blasco outlines apocalyptic situations where chaos and paranoia is the best excuse to meet surrealist creatures and scenes. Blasco understands that animation is a language with resources that live action does not possess, and exploits those tools as a child who became an adult just to give himself permission to play forever.
