A young, English working-class boy spends his free time caring for and training his pet falcon.
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Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi
Christian, a visionary scientist, studies wild geese. For his son, a teenager obsessed with video games, the idea of spending a holiday with his father in the wilderness is a nightmare. However, father and son will get together around a crazy project: save a species endangered, thanks to the ultralight of Christian! Then begins an incredible and perilous journey …
A mysterious attacker is preying on the rich and decadent set in an elite community.
A retired horse trainer finds a young runaway girl in his barn. Skeptic at first, he let’s her stay and a friendship develops while he discovers her heart and talent for horses.
A young Filipina searches for the missing links between her strange bleeding condition and her faraway mother’s healing powers.
A woman discovers that severe catastrophic events are somehow connected to the mental breakdown from which she’s suffering.
A 13-year-old boy becomes the target of bullies at his new school and is feeling hopeless, until he finds Marshall being caged up by a dog-hoarder in deplorable conditions. Finn knows he must rescue Marshall, but he has been abused by the other dogs and needs to see the vet right away. The bond of friendship is immediate.
Set against a backdrop of the Israeli-Palestinian conflict, Palestinian rapper Kareem and his singer girlfriend Manar struggle, love and make music in their crime-ridden ghetto and Tel Aviv’s hip-hop club scene.
HANNAH ARENDT is a portrait of the genius that shook the world with her discovery of “the banality of evil.” After she attends the Nazi Adolf Eichmann’s trial in Jerusalem, Arendt dares to write about the Holocaust in terms no one has ever heard before. Her work instantly provokes a furious scandal, and Arendt stands strong as she is attacked by friends and foes alike. But as the German-Jewish émigré also struggles to suppress her own painful associations with the past, the film exposes her beguiling blend of arrogance and vulnerability — revealing a soul defined and derailed by exile.
A man and a woman are brought together by chance for several months. He is younger than she is, married, Russian, officially a diplomat stationed in Paris. She is a beautiful teacher and researcher, with her feet firmly on the ground. The film follows the evolution of their love, from the beginning to end.
