Paul Thomas Anderson joined his close friend and collaborator Jonny Greenwood on a trip to Rajasthan in northwest India, where they were hosted by the Maharaja of Jodhpur, and he brought his camera with him. Their destination was the 15th-century Mehrangarh Fort, where Greenwood was recording an album with Israeli composer Shye Ben Tzur and an amazing group of musicians.
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Cameras follow David Beckham as he attempts to play a football match on all seven continents and get back in time for his own UNICEF fundraising match at Old Trafford. On the journey, he discovers what football means to the many different people he meets and plays with, as well as some of the universal truths about the game itself, including its ability to inspire and unite people.
Humpback Whales takes audiences to Alaska, Hawaii and the Kingdom of Tonga for a close-up look at how these whales communicate, sing, feed, play and take care of their young. Humpbacks were nearly driven to extinction 50 years ago, but today are making a steady recovery. Join a team of researchers as they explore what makes humpbacks the most acrobatic of all whales, why only the males sing, and why these intelligent 50-foot, 48-ton animals migrate more than 6,000 miles round-trip every year.
50 years after launching our dreams into space, we’re left with a troubling legacy: a growing ring of orbiting debris that threatens the safety of earth’s orbits. SPACE JUNK is a visually explosive journey of discovery that weighs the solutions aimed at restoring our planet’s orbits. Experience mind-boggling collisions, both natural and man-made. Soar for the stunning depths of Meteor Crater to an unprecedented view of our increasingly crowded orbits – 22,000 miles above earth. Join us as foremost expert Don Kessler, the “Father of Space Junk,” guides us through the challenges we face in protecting them, forging a new age of space discovery.
In Search of Blind Joe Death: The Saga of John Fahey is a documentary film about the legendary American guitarist, composer and provocateur John Fahey, 1939-2001. Fahey is often considered the godfather of ‘American primitive guitar’. This cinematic exploration features Pete Townshend, Chris Funk of The Decemberists and Joey Burns of Calexico. These stellar musicians, along with Fahey associates and friends such as the famous ‘Dr. Demento’, radio broadcaster Barry Hansen, explore the legacy of this profoundly influential artist. The film was recorded in the Washington D.C. area where John Fahey was born, along the Mississippi Delta from Memphis to New Orleans, in Los Angeles, Toronto, Austin, New York and in Oregon where Fahey spent his last two decades.
In 1959, Berry Gordy Jr. gathered the best musicians from Detroit’s thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown’s Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined – which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.
The Original Kings of Comedy achieves the seemingly impossible task of capturing the rollicking and sly comedy routines of stand-up and sitcom vets Steve Harvey, D.L. Hughley, Cedric the Entertainer, and Bernie Mac and the magic of experiencing a live concert show. Director Spike Lee and his crew plant a multitude of cameras in a packed stadium and onstage (as well as backstage, as they follow the comedians) to catch the vivid immediacy of the show, which is as much about the audience as it is about the jokes.
The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.
Monica is the former lead singer of the three-girl group “Illicit” who were once an R&B powerhouse. She went on to have a less than stellar solo career but now feels there is something missing. When she reunites with her former group members, they try to show her that God is the answer to her plaguing questions and also the power in gospel music. Monica, on the verge of ending a loveless relationship, must decide if she is ready for the upheaval that her girlfriends suggest. The movie soars with love, gospel music and redemption. Written by Paul D. Hannah
Thomas Riedelsheimer’s landmark Rivers and Tides inventively documented artist Andy Goldsworthy as he created his wondrously ephemeral site-specific sculptures, spun from nature. Fifteen years later, Goldsworthy is still appealingly engaged in his philosophical and tactical exploration of the natural world. Leaning Into the Wind is a collaborative sequel—a visual and aural sensation that takes viewers into the hillsides, terrains, and other outdoor spaces where Goldsworthy feels most at home and inspired.