An alcoholic becomes involved in a fellow A.A. member’s plan to kidnap her young son from the boy’s wealthy grandfather.
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Leroy Lowe, grand dragon of the Texas Ku Klux Klan confronts everything he’s been taught to hate when he’s sentenced to three years of hard labor on a prison work farm, where Warden Merville, dead set on rehabilitating Leroy, chooses Emilio, a Hispanic field worker imprisoned for fighting for labor rights, to be his cell-mate. Leroy, confined in a small cell with the enemy, far from the KKK comrades who deserted him, finds the chatty Emilio slowly chipping away at his anger and prejudice. His weekly rehabilitation meetings with the warden, barely tolerable as the man drones on about farm labor and field crops, take on a different meaning when Madalena, a beautiful Mexican maid is hired to clean the warden’s office. An unconventional love story develops that opens Leroy’s eyes to the possibility of a different life. And a man who was a born and bred racist finds himself heading down a completely different path to salvation.
Inside of an impoverished community in Chicago, Illinois, an ex-convicted felon, “Marcus Julian” returns from prison after eight years incarcerated. A product of a failed family structure, Marcus, like so many others in his community, functioned under a “street-code” of savagery. The “Gangster Disciples” governed the territories, and as a former outstanding member he lived in ongoing regret of the mob-related acts that led him to prison.
In the 1930s, three friends—a doctor, a nurse, and an attorney—witness a murder, become suspects themselves and uncover one of the most outrageous plots in North American history.
In 1957, a son and mother flee the East and an abusive boyfriend to find a new life, and end up in Seattle, where the mother meets a polite garage mechanic. The boy continually gets into trouble by hanging out with the wrong crowd. The mom marries the mechanic, but they soon find out that he’s an abusive and unreasoning alcoholic, and they struggle to maintain hope in an impossible situation as the boy grows up with plans to escape the small town by any means possible. Based on a true story by Tobias Wolff.
In 1945, as Stalin sets his hands over Poland, famous painter Wladislaw Strzeminski refuses to compromise on his art with the doctrines of social realism. Persecuted, expelled from his chair at the University, he’s eventually erased from the museums’ walls. With the help of some of his students, he starts fighting against the Party and becomes the symbol of an artistic resistance against intellectual tyranny.
Three stages in George’s life, and three girls he encounters in each stage.
Since she was young, Soo-Nam has been able to do anything well with her hands. She holds 14 different certificates for typing excellence, but a computer takes over her job. Luckily, she finds a new job and marries. Soo-Nam and her husband decide to buy a house. They take out a loan to pay for their home. Soo-Nam works hard to pay off the loan, but she falls into more debt. Then … an opportunity arises to pay off all her debts at once.
Hamari Adhuri Kahani (English: Our Incomplete Story) is a 2015 Indian romantic drama directed by Mohit Suri and produced by Mahesh Bhatt under the banner Vishesh Films and Fox Star Studios. The film stars Emraan Hashmi, Vidya Balan, and Rajkummar Rao. It is based on the love story of Bhatt’s parents, Nanabhai Bhatt, Shirin Mohammad Ali and his stepmother.
Chronicles Jack Harris, one of the pioneers of internet commerce, as he wrestles with his morals and struggles not to drown in a sea of conmen, mobsters, drug addicts, and pornstars.
When bullied Molly Flowers declares her dislike of boys, her boozy and self medicated mother invents a story to shock her into a more sympathetic view. The tale of how Molly had actually been born a boy called Bradford Dillman but, because of Mum’s want for a little girl, she asked the doctors to chop her willy off. The offending item has been kept for Molly in a shoebox on top of her wardrobe which now looms over everything she does. Molly’s over active imagination manifests itself into the arrival of Bradford Dillman. When Mum denies all knowledge of the tale, who will Molly choose to believe in?
