American viewers may know him best as the British correspondent on “The Daily Show,” but John Oliver is also an accomplished stand-up comic. In his first Comedy Central special Oliver tackles the topics that perplex him about the United States. He takes well-aimed shots at the American political process and the invasion of Iraq (including how the Brits would have done it differently), and argues for reparations from the Revolutionary War.
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James Lavelle played his first DJ set at 14, launched pioneering record label Mo’Wax at 18 and released the genre defining UNKLE album Psyence Fiction at 22. His phenomenally rapid rise seemed limitless, but it’s only when you’re going so fast that the wheels fall off. The Man from Mo’Wax tells the remarkable story of one of the most enigmatic yet influential figures in contemporary British culture. Unearthed from over 700 hours of footage including exclusive personal archive spanning three decades, we get the rare opportunity to watch a boy become a man in the world of music. The result is an exhilarating, no holds-barred ride into the life of an extraordinary man and an equally extraordinary era, taking in some decidedly flawed decision-making (both personal and professional), Lavelle emerges as an innovative artist who thinks big and consistently overcomes adversity.
The authorized documentary on late Guitar/lead singer Kurt Cobain from his early days in Aberdeen Washington to his success and downfall with Grunge band Nirvana.
Unstrung exposes the dramas of the juniors tennis world, hitting the road with a handful of teenage competitors as they head for the national championship.
Capturing Americans in communities across the country as they wrestle with the legacy of the coal industry and what its future should be under the Trump Administration. From Appalachia to the West’s Powder River Basin, the film goes beyond the rhetoric of the “war on coal” to present compelling and often heartbreaking stories about what’s at stake for our economy, health, and climate.
The Plan Man is about a man who lives everything according to plan until he meets a woman who wasn’t a part of it.
Held down by restrictive rules, an embattled cheerleading squad seeks the freedom of a creepy, closed school gym to practice for regionals, but when members of the squad start to disappear, the cheerleaders must unmask their assailant to save themselves.
Our RoboCop Remake is a crowd-sourced film project based on the 1987 Paul Verhoeven classic. Organized through Channel 101 and a bunch of other places, we’re 50 filmmakers (amateur and professional) from Los Angeles and New York who have split the original RoboCop up into individual pieces and have remade the movie ourselves. Not necessarily a shot-for-shot remake, but a scene-for-scene retelling. As big fans of the original RoboCop, and as filmmakers and film fans admittedly rolling our eyes at the Hollywood remake machine, we’ve elected to do this remake thing our own way.
Hibino Tsubaki (Takei Emi) is a young teenage girl with a talent for styling other people’s hair. Yet, Tsubaki suffers from low self-esteem and isn’t very comfortable styling her own hair. She also has a tendency to dress old-fashioned. She’s teased at high school because of this. One day, popular male student Tsubaki Kyota (Matsuzaka Tori) targets Tsubaki for teasing. Tsubaki Kyota holds sway over the entire classroom and is quite a playboy. Inexplicably they fall in love. Meanwhile, Tsubaki Kyota has commitment issues…
Russian Oligarch Igor is as rich as he is extravagant: He plans to build his brand new villa right on a world famous and preserved bridge in the middle of Vienna! To bribe all the politicians, he needs the help of his interpreter Nadja. But Nadja has her own idea of what to do with all the bribe money.
A socially awkward home-schooled kid forces his way into public-school against his suffocating but loving mother’s wishes.
Gypsy’s mother Rose dreams of a life in show business for her daughters, but Louise becomes a huge burlesque star. Stage musical based on the book by Arthur Laurents.