No topic is off limits for Jim Jefferies as he muses on stoned koalas, his dad’s vasectomy confusion and choosing between his hair and his sex drive.
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Molière, a down-and-out actor-cum-playwright up to his ears in debt. When the wealthy Jourdain offers to cover that debt (so that Molière’s theatrical talents might help Jourdain win the heart of a certain widowed marquise), hilarity ensues.
To escape his life of crime, a Paris drug dealer takes on one last job involving Spain, unhinged gangsters, his longtime crush and his scheming mother.
Grégoire Beaulieu learns that he has a twin brother: Anthony Girard. Gregoire is bourgeois, ambitious and promised to a great career, Anthony has no prospect and lives of shenanigans. The two brothers couldn’t be more opposite. Especially when one is white and the other is black !
In order to catch a basketball from the favorite team of his girlfriend’s spoiled son, Fred poses as a numb, wheelchair-bound fan. But when he catches the ball, he also catches the attention of young, attractive filmmaker Denise, who wants to feature an invalid fan in an image film for the team. Fred has to keep playing his role, while real invalid and really furious fan Ronny might call his bluff at any moment. Worse, still, love sets in…
Bronx rap artist Kemba explores the growing weaponization of rap lyrics in the United States criminal justice system and abroad — revealing how law enforcement has quietly used artistic creation as evidence in criminal cases for decades.
The third and most successful of four stand-up act movies release by Richard Pryor on film. The stand-up act includes Pryor’s frank discussion about his freebasing addiction, as well as the infamous night on June 9, 1980 that he caught on fire.
A street thug with a soft heart and a young, hot-headed former company executive end up as neighbours.
Veteran suicide is a national tragedy on an epic scale.A remarkable treatment is proving more powerful than ever imagined: Pairing veterans with wild mustangs taken straight off the range; miraculously turning despair into enduring hope.
Six troubled teens at secluded camp for juvenile delinquents must fight for their lives after a mysterious virus transforms the guards into cannibalistic mutants.
David Hyde Pierce, playing an alien (credited as infinity-cubed in the opening credits), narrates a courtship in a late-20th century American city as an extraterrestrial nature documentary. The relationship “footage” is played straight, while the voice-over (with its most often wildly inaccurate theories) and elaborate visual metaphors add comedy.
With all of his friends headed to a party on the last night of 1999, Austin takes an extra shift at the Quality Mart gas station and is forced to look down the barrel of what it means to graduate high school and face a future stuck in his middle of nowhere hometown. He’s got one night to make his dreams come true, legal or not, and he’s taking it.
