Arguing With Myself, a recorded live performance of ventriloquist Jeff Dunham, portrays a comedian whose revival of an old-fashioned art has made ventriloquism more relevant to modern societal concerns. Starring his six main characters, from Bubba Jay, a Nascar-obsessed hick, to Peanut, a flamboyant gay monkey, Dunham’s puppets have dirty but relatively inoffensive senses of humor that mock the American Dream. His skills as a ventriloquist alone make him a fascinating entertainer, and anyone interested in how puppetry and ventriloquism has progressed over the decades would benefit from watching Dunham bring life to his wooden friends.
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After planning to leave the city with his girlfriend, a young man must first betray her in order to save his brother from a deadly situation.
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For Shirin, being part of a perfect Persian family isn’t easy. Acceptance eludes her from all sides: her family doesn’t know she’s bisexual, and her ex-girlfriend, Maxine , can’t understand why she doesn’t tell them. Even the six-year-old boys in her moviemaking class are too ADD to focus on her for more than a second. Following a family announcement of her brother’s betrothal to a parentally approved Iranian prize catch, Shirin embarks on a private rebellion involving a series of bisexual escapades, while trying to decipher what went wrong with Maxine.
The millions of Keiko fans around the world finally learn the truth about what really happened when the Free Willy star became the first and only captive orca to be released back into the wild. The most unlikely candidate for release because of his long years in captivity, actually thrived for over 5 years in his home waters, gaining over 3000 lbs during his rehabilitation, mixing it up with wild orcas, swimming across the North Atlantic, and finally passing as a middle aged orca as the only captive orca to ever be successfully rehabilitated and released back to to the ‘wild’ – come join Keiko’s Pod and help Rescue Rehab and Release all of the other whales and dolphins currently in captivity.
Jimmy Carr refutes the idea that one can’t joke about anything these days with his edgy takes on gun control, religion, cancel culture, and consent.
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While trying to save the famous Tivoli burlesque theater, the participants uncover a web of commercial corruption.
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