Jaesim

In coastal Cornwall, England, during the early 19th Century, a young woman discovers that she’s living with a gang of criminals who arrange shipwrecking for profit.

Frank, a single man raising his child prodigy niece Mary, is drawn into a custody battle with his mother.

In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it’s Purgatory and they’re dead. In the room, two young women, one an actress and the other a psychologist, watch the last few days of their lives on a TV screen. Both are having affairs with married men, each has a long encounter with her lover’s wife, and both these scenes take place in a ladies’ room, one backstage at a play that’s about to preview, the other at an opera house during the first act. The relationships between each pair of younger and older women take surprising turns, and in the room with the TV, a sylph asks probing and challenging questions of the two young women as they watch.

Stunning, stylish neo-noir about choice and coincidence… and how they define the trajectory of life. Killian commits armed robbery, gets caught, serves 4 years, gets out and returns to his life. Then he meets a mysterious girl who changes everything.

An artist on the verge of a career-changing exhibition navigates family, friends and colleagues in the lead-up to her show and finds that the chaos of life becomes the inspiration for more great art.

David and Brenda are perfect for each other, and everyone knows it except David and Brenda. After a break-up, they each experience their own rough patch. For David, a self-destructive artistic endeavor and a relationship with an immature beauty—for Brenda, a failing acting career, an eviction notice, and a boyfriend who just doesn’t do it for her. A chance encounter brings them together on the streets of New York at a particularly bad time. David invites Brenda to the opening of his first photography exhibit and the stage is set for a night of drinking and flirting which leads to an untraditional proposal of how they can be together without getting back together. A sharply observed, un-romantic comedy by writer/director Mel Rodriguez III, IN STEREO is a stylish and striking first feature that offers an unflinching look at the complexity of modern relationships.

Nick Gunar is a burnt-out, jaded and hard-up former mercenary who is having a difficult time adjusting to civilian life. At the end of his rope, he is hired by the Nitro Mine Corporation to strong-arm the natives of a South China Sea island into giving up their rights to its valuable mineral resources. Nick loathes the thought of another mission, but this seemingly easy job will earn him enough money to get back with his estranged family. He recruits some of his former mercenary buddies to help him with the job. The island people refuse to give up their land and Nick decides to help them fight the greedy corporation that hired him. As greed and treachery begin to unravel, Nick’s band of mercenaries choose sides.

Six young people head up to a cabin in the woods of Northern California for a rustic Independence Day retreat, only to find themselves going through their own personal crucibles at the threshold of adulthood.

Director Tominaga Masanori (Pandora’s Box) brings Motoya Yukiko’s offbeat play Ranbo to Taiki to the big screen in a juicy, neurotic tangle of love, hate and voyeurism. Hidenori (Asano Tadanobu) and Nanase (Minami) have lived together for ten years in a tense, platonic relationship. The wheels of change are set in motion when married couple Takao (Yamada Takayuki) and Azusa (Koike Eiko) move in next door. After Hidenori catches Nanase and Takao having an affair, he becomes obsessed with watching Nanase through a peephole, and planning his cruel revenge.

Henry VIII of England discards one wife, Katharine of Aragon, who has failed to produce a male heir, in favor of the young and beautiful Anne Boleyn.

Businessman Bhaskaran Pillai builds a large commercial empire until his wife dies. Under pressure from his son, Bhaskaran goes on a trip where he meets Hima, a small-business owner.

The film is a semi-biographical story based on the experiences of former prison guard Ronnie Thompson who spent seven years working in some of the UK’s most dangerous prisons. Based on Thompson’s book of the same name, the project stars James D’Arcy (Master & Commander), Noel Clarke (Kidulthood), Frank Harper (The Football Factory), Jamie Foreman (Layer Cake), Andrew Shim (This Is England) and Kate Magowan (Stardust). The story revolves around former soldier Sam Norwood who takes a job as a prison officer when he returns from Iraq and becomes exposed to the underworld of prison culture – including corrupt guards and drug trafficking.