Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. Chris Pontius, Johnny Knoxville, Steve-O, Bam Margera, and the whole crew return to the screen to raise the stakes higher than ever before.
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Aditya Singh, fondly called Adi Chachu by the children of his brother, lives in a large mansion in Mumbai with his brother, sister-in-law, sister and grandmother. He is the only one working in the family. He falls in love with a local teacher, Priya. They confess their feelings to each other and plan a wedding. However, before the wedding day Adi is run over by a truck to save Parth and dies. In afterlife, he meets The Hindu God of Death, Yamraj, a kind-hearted, emotional deity with designer clothes and an red old car. Yamraj allows Adi to go back to Earth as a ghost to stop his evil uncle who wants to sell Adi’s mansion to industrialist Hirachand. Adi enlists the aid of Shakti, a little boy, in order to save his family home.
Louis heads to Las Vegas, to reveal the world behind the myths of casino culture. Among the people he meets are two of the casino’s ‘high-rollers’ and an employee who looks after them as well as a retired doctor who says she has gambled away $4million in seven years.
Based on Paolo Villaggio’s books “Fantozzi” and “Il secondo, tragico Fantozzi”, which are popular in Italy, this film tells the story of an unfortunate accountant’s life over the course of one year, shown in a variety of sketches, segments and provocative sequences making Fantozzi a very unlucky person indeed.
Sometimes in order to move forward, you have to go back. And in this raunchy comedy, Jim Owens does just that when he heads home for his high school reunion. In an attempt to relive the glory days with his boys and explore an old romance, he nearly destroys his hometown and friendships.
The film discusses the traits and originators of some of metal’s many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
Three naïve guys, in their 20s, drive from Illinois to LA. A sleazy real-estate agent gives them a great deal on a house in the Hollywood Hills. The night they arrive, a solitary Mexican, who speaks only Spanish, tries to warn them that the place is possessed by Satan. They don’t understand him, move in, and plan a party after they meet Lucy, their gorgeous neighbor from down the hill. An old friend of theirs, studying to be a priest, joins them. In the basement is a portal to Hell, so at the party, guests meet their end in various ways. Lucy and her friends may not be who the lads think. Is there any hope for these innocents? Maybe their neutered dog can help.