Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein’s final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer’s dissatisfaction with Eisenstein’s attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein’s death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.
You May Also Like
After growing up during the tumultuous 1960s, ex-Black Panther Marcus returns to his home in Philadelphia in 1976 and reconnects with Pat, the widow of a Panther leader. Marcus befriends Pat’s young daughter and attempts to conquer his demons. Interfering with Marcus’s good intentions are the neighborhood’s continuing racial and social conflicts, as well as old enemies and friends — both with scores to settle.
It’s San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society’s reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.
Werner Herzog’s documentary film about the “Grizzly Man” Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man’s attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.
Three and a half years of Jesus’ ministry, as told in the Gospel of Luke.
In the spring of 1945, a train deporting hundreds of Jewish prisoners gets stranded near a small German village occupied by the Red Army. Condemned to each other and in a context of deep mistrust, desperation and revenge, an unexpected friendship emerges between Russian sniper Vera, village girl Winnie and Jewish-Dutch woman Simone.
Three protagonists, one city, different backgrounds: Nour, India and Marwan pass each other but they never meet, though the effect of one incident will drastically alter their lives. Caught in a moment, their lives fall apart in just a matter of seconds.
It’s MFA grad Palace Bryant’s final 24 hours in art school, and she is not going to the graduation party! She needs to get back home to Chicago from Upstate New York, but that means surviving a hazy, hilarious, and hallucinatory odyssey, stumbling from academic critiques to backseat hookups.
In a small town in 1970s West Germany, Stephanie is raised by two parents who have no business having children. The mother suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter. Young Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.
Andreas and Stefan lead a happy and passionate life: Together with their beloved tomcat Moses, they live in a beautiful old house in Vienna’s vineyards. They work as a musician and as a scheduler in the same orchestra and they love their large circle of friends. An unexpected and inexplicable outburst of violence suddenly shakes up the relationship and calls everything into question – the blind spot that resides in all of us.
Tae-Il lives a fast life as low level thug. He then learns that he has a terminal illness and not much time left to live. Then, for the first time in his life, he falls in love.
